Dein Suchergebnis zum Thema: Hand
Clouet to Seurat | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2005/french-drawings-from-the-british-museum
A more unified national style emerged in the seventeenth century, in part due to the establishment in 1648 of the French Royal Academy (Académie Royale de Peinture et de Sculpture), where the influence of Nicolas Poussin (1594–1665) contributed to the The During
The French Enlightenment is represented, on the one hand, by the sparkling trois
Saints and Other Sacred Byzantine Figures – The Metropolitan Museum of Art https://www.metmuseum.org/essays/saints-and-other-sacred-byzantine-figures
The main focus of Byzantine devotion was the Virgin Mary, but certain other sacred figures were prominent in Byzantine spiritual life as well.
traditional dress of the archangels and carries a trilobed scepter in his right hand
Buddha Offering Protection – Sri Lanka, central plateau – Early Polonnaruva period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/39197
gestures compassionate protection to devotees (abhaya mudra) with his raised right hand
Buddha Vairocana (Dari) – China – Liao dynasty (907–1125) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/73200
This Buddha holds his hands in a “wisdom fist,� a gesture in which the left hand
Buddha Preaching – Central or northeastern Thailand – Mon-Dvaravati period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/39199
The raised right hand gestures in teaching, the lowered hand grants boons.
The Japanese Tea Ceremony – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-japanese-tea-ceremony
Each tea gathering is a unique experience, so a particular assemblage of objects and people is never repeated.
Bizen ware, on the other hand, is known for its deep reddish to blackish brown color
Shivshanker Narayen – [Scenes of the Plague in Bombay, 1896–97, and the Indian Famine, 1899–1900] – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/287308
Page 3, "No. 16– The house and shop on the left hand side of the street have been
Attributed to Barthelemy d’Eyck – Famous Men and Women from Classical and Biblical Antiquity – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/340776
tpore iepte; P1amus p1mus / Rex troyag / fuit eodem tpore; Elena (and in another hand
Statue of two men and a boy that served as a domestic icon – New Kingdom, Amarna Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544683
All three of these figures originally wore broad collars containing the pigment Egyptian blue. Egyptian blue, a synthetic form of the mineral cuprorivaite, was the most widely used blue in ancient times and is believed to be the first synthetically produced pigment
front face detail of left hand figure face detail of center figure face detail
