Hans Leinberger – Saint Stephen – South German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466084
long tunic, indicating his position in the church as a deacon, and in his right hand
Dein Suchergebnis zum Thema: Hand
Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900 – The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/embracing-color/exhibition-objects
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
in gathering China mid-18th century Bowl with acrobatic performance China Hand
Gold glass base of a beaker – Roman – Late Imperial – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/252974
charioteer stands in his quadriga, holding a victory wreath in his outstretched right hand
Chokwe artist – Mwanangana (lord of the land) playing a sanza – Chokwe – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/316173
Acquired in Angola by Count Admiral Francisco Antonio Gonçalves Cardoso (1800–1875), Governor of Portuguese Angola (1866–1869); by descent to his family until before 1981; (Loudmer-Poulain, Paris, June 24, 1981, no
Instrument in hand, the chief is cast as a repository and guardian of historical
Albrecht Dürer (1471–1528) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/albrecht-durer-1471-1528
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range, and provided the imagery with a new conceptual foundation.
Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso
Circle of Lorenzo Monaco (Piero di Giovanni) – Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man – Italian, Florence – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459234?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459234&pkgids=447&pg=1&rpp=4&pos=1&ft=*&locale=en
in the same ink used to retouch the drawing, in what may be a sixteenth-century hand
Northern Highlands artist – Icon triptych of Ewosá¹atewos and eight of his disciples – Amhara – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/319625
In his left hand is a prayer staff carried by traveling monastics, and in his right
Urn with Assyrian scenes – French – Victorian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/891607
Brought back from Europe to the United States in 1902-1903 by W.C. Fields (1880-1946) or obtained by Fields from D.W. Griffith in the late 1930s; 1946, by descent to Carlotta Monti (1907-1993), California; unknown date, sold on behalf of Carlotta Monti; 1980s-2004, private collection, New England; 2004, purchased by Henrietta and Christopher McCall on eBay; acquired by the Museum in 2023, purchased from Christopher McCall, Henley-on-Thames, UK
his tall cylindrical crown, stands in a chariot, shaded by a parasol, raising his hand
Attributed to the Painter of London E 497 – Terracotta bell-krater (bowl for mixing wine and water) – Greek, Attic – Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/251491
Thracian dress, identifies the setting, while the woman who holds a sickle in her left hand
Bronze mirror with a support in the form of a nude girl – Greek, Laconian – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253556
She holds a pomegranate in her left hand and is nude except for a necklace and a