William Wetmore Story – The Libyan Sibyl – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/12650
Oracle in hand, the Libyan Sibyl, eldest of the legendary prophetesses of antiquity
Oracle in hand, the Libyan Sibyl, eldest of the legendary prophetesses of antiquity
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Schongauer 1470–1485 Coronation of the Virgin France ca. 1455–60 The Right Hand
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Popular, Mexico City 1950 The Arts (Las Artes): a printing press, a sculptor, a hand
1827–1909 Aachen) ca. 1870–95 Pendant 17th century Pendant in the form of a hand
Discover how our conservators ensure the long-term safety and stability of artworks through scientific research and careful preservation.
using small pins, while most heavier works are safely supported by custom-designed, hand-fabricated
Explore the use of animals as symbols in medieval art with viewing questions and a group drawing activity at The Met Cloisters or in the classroom.
the paper to your neighbor, who will draw a body in the center section and then hand
Florentine woodcuts were generally shaded with parallel lines that give a sense of depth and sculptural form.
artists/makers ca. 1495–1500 In Venice at the end of the fifteenth century, both hand-illuminated
How does contemporary fashion engage with African dress traditions to explore Black identity?
Hand-dyed reversible cotton gabardine, crafted in Cameroon.
The rock-cut tomb chapel of Khnumhotep II, overseer of the Eastern Desert under Amenemhat II and Senwosret II, was richly decorated in paint on plaster with scenes designed both to commemorate the life of this high official and to help ensure his eternal afterlife (Newberry 1893, pp
Abisharie bends forward with his right hand extended, palm down, in a gesture of
In [Tiepolo’s] hands, the informal oil sketch was raised to a primary art form, worthy
times seamlessly transforming painted figures into three dimensions by realizing a hand