Inscription: Stamped, recto, bottom right: „Nadar jne“; inscribed in the hand of
1998.57 Inscription: Stamped, recto, bottom right: „Nadar jne“; inscribed in the hand
/No 477 [and again in another hand] 477;3) (stamped on top key) T
/No 477 [and again in another hand] 477; 3) (stamped on top key) T.
be done by anyone who knows how to draw, encouraging many painters to try their hand
be done by anyone who knows how to draw, encouraging many painters to try their hand
The process of tapestry weaving, where every stitch is placed by hand, enabled the
In addition, the process of tapestry weaving, where every stitch is placed by hand
The traditional distinction between the haute couture and prêt-à-porter has always been between the custom-made and the ready-made. Haute couture clothes are singular models fitted to the body of a specific individual, while prêt-à-porter garments are produced in multiples for Instead At
Typically, the hand has been identified with exclusivity and individuality as well
was a thoughtful response to the historical traditions of Mesopotamia on the one hand
was a thoughtful response to the historical traditions of Mesopotamia on the one hand
Gauguin cultivated and inhabited a dual image of himself as, on the one hand, a wolfish
Gauguin cultivated and inhabited a dual image of himself as, on the one hand, a wolfish
Manus x Machina, The Costume Institute’s spring 2016 exhibition, explores how fashion designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.
the sewing machine was invented, and the emergence of a distinction between the hand
Inscription: Inscribed: (reverse, in a later hand) Ambrogio Borgognone fe.; (on Christ’s
Fund, 1926 Object Number: 27.39.1 Inscription: Inscribed: (reverse, in a later hand
Inscription: Inscription in graphite inside front cover [in William Ivins hand?]
23.73.1 Inscription: Inscription in graphite inside front cover [in William Ivins hand
