Charcoal | The Metropolitan Museum of Art https://www.metmuseum.org/about-the-met/Collection-Areas/drawings-and-prints/materials-and-techniques/drawing/charcoal
Varying the angle at which the stick is applied, as well as the pressure of the hand
Varying the angle at which the stick is applied, as well as the pressure of the hand
Search art at the Metropolitan Museum.
of Saint Balbina South Netherlandish ca. 1520–30 Portrait of a Man with His Hand
The study of medieval drawings requires that we both expand and rethink our notion of what a drawing is and how it might be used.
saw and highlight how even in the medieval period, drawings testified to first-hand
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
Heinz Peters in "Zum New Yorker ‚Diptychon‘ der ‚Hand G‘."
European warriors of the early Middle Ages used both indigenous forms of military equipment and arms and armor derived from late Roman types.
A hole in the center of each shield was bridged by a hand grip inside and a shield
YoungArts Silver Award Winner Greg Zelek recounts the extraordinary experience he had performing on The Met’s Appleton Organ at a recent concert.
Detail view of the keyboard and left-hand stops of the Appleton Pipe organ (1982.59.1
J. Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney. Musical Instruments: Highlights of the Metropolitan Museum of Art. First Printing. © 2015 by the Metropolitan Museum of Art, New York
men, who strum the strings with a plectrum while using the fingers of the left hand
Inscription: Title inscribed across the top: „Il Dilettevole Gioco di Loca“; throughout the sheet with numbers and captions relating to the spaces; the publisher’s details at lower right: „In Venecia apresso / Carlo Coriolani
After 1640 (probably printed later 17th century) Medium: Woodcut with contemporary hand
Garnier Frères , Paris Published in: Paris Date: 1867 Medium: Wood engravings, hand-colored
this painting, Friedrich suffered a debilitating stroke that paralyzed his right hand