Dein Suchergebnis zum Thema: Guinea

ÃŒgùn ẸÌ�rá»�Ì€nwwá»�Ì€n (brass-casting guild) artists – Ukhurhe (rattle staff) with ỌÌ�bà Ã�kẹÌ�nzùa I – Edo peoples – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/309910

Commissioned by Érèsoyẹ̀n (r. ca. 1735–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); taken from the Royal Palace in 1897 during the British military occupation of Benin; (Henry Stevens, Stevens Auction Rooms, London, 1898); Pitt-Rivers Museum, Farnham, Dorset, UK, 1898–1972; [K
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Eastern Africa, 1600–1800 A.D. | Chronology | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

https://www.metmuseum.org/toah/ht/09/afa.html

“Christian Ethiopia’s political and territorial decline, which began in the sixteenth century, continues throughout this period due in part to encroachment by pastoral peoples and emergent Muslim states such as Harar, in western Ethiopia. Efforts to unify the Ethiopian Church and restore security and prosperity to the kingdom produce a period of artistic florescence centered at the capital city of Gondar. Along the East African coast, first Portugal and then the sultanate of Oman gain control of Swahili economic centers; Mombasa, in modern-day Kenya, becomes an important state in the eighteenth century under Omani rule.”
Guinea Coast, 1600–1800 A.D. Southern Africa, 1600–1800 A.D.

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Anyi-Akan artist – Hornblower attendant figure – Akan peoples, Anyi group – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/310829

[Dr. Marcel Lheureux, Paris, acquired 1920s]; P. Alsace; [John J. Klejman, New York, until 1960]; Nelson A. Rockefeller, New York, on loan to The Museum of Primitive Art, New York, 1960–1964; The Museum of Primitive Art, New York, 1964–1978
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Bamana numu (blacksmith) – Ci wara headdress – Bamana peoples – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/310864

[René Rasmussen, Gallery AAA, Paris (purchased in Bamako region, Mali) 1953–1961]; Nelson A. Rockefeller, New York, on loan to The Museum of Primitive Art, 1961–1964; The Museum of Primitive Art, New York, 1964–1978
Masquerades Help students understand the connections between art and the environment of Guinea

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