This panel and a scene showing the Crucifixion of Christ (The Met, 43.161) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
Deutsche Malerei der Gotik.
From the convent of the Poor Clares at Buda (part of the modern city of Budapest); Countess V. Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826–1907 ; his sale, Hôtel Drouot, Paris (January 28-29, 1867, no
Goldschmiedekunst der Gotik in Mitteleuropa. Munich: C. H.
Marking: Arms (on shield of figure on right and left socle panel; on right and left panel of altar): Arms of Archbishop Don Dalmau de Mur y Cervelló(central shield on altar): Arma Christi
Gotik in Spanien.
This diptych is composed of two rectangular panels of ivory held together with four hinges, allowing it to close like a book. The smooth backs or exteriors reveals the vertical orientation of the ivory grain typical of medieval ivory carving, with the distal end of the ivory tusk facing downward
"Kölner Elfenbeinschnitzereien der Gotik: viele offene Fragen."
The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Romanische Leuchter und Gefässe, Giessgefässe der Gotik.
Goldschmiedekunst der Gotik in Mitteleuropa. Munich: C. H.
Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
"Nürnberg 1300–1550: Kunst der Gotik und Renaissance," July 24–September 28,
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Italienische Gemälde der Gotik und Frührenaissance im Wallraf-Richartz-Museum.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Italienische Gemälde der Gotik und Frührenaissance im Wallraf-Richartz-Museum.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Italienische Gemälde der Gotik und Frührenaissance im Wallraf-Richartz-Museum.
