Dein Suchergebnis zum Thema: Gift

‘‘Letter to Kenneth Clark from Helen Roeder at the Artists’ Refugee Committee‘, Helen Roeder, Artists’ Refugee Committee (London, UK), recipient: Kenneth Clark, 6 September 1940‘, Helen Roeder, Artists’ Refugee Committee (London, UK), recipient: Kenneth Clark, 6 September 1940 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8812-1-4-182-19/letter-to-kenneth-clark-from-helen-roeder-at-the-artists-refugee-committee

Letter regarding the Asquith Committee’s recommendation to include artists in the categories of internees eligible for release.
Collection Tate Archive Acquisition The material was presented to the nation (as a gift

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‘‘Photographs of Robert Medley and comrades in Cyrene, Libya during the Second World War‘, collection owner: Robert Medley, [1944]‘, collection owner: Robert Medley, [1944] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-894-14-12/photographs-of-robert-medley-and-comrades-in-cyrene-libya-during-the-second-world-war

Includes one photograph of Robert Medley leaning against a statue of a lion, another photograph of a group of men in front of ruined building with an incription on the back that reads „Carter and 2 others making a group by a classical tomb. The one I said reminded me of Poussin’s famous picture in the Louvre“, as well as one further photograph of the ‚classical tomb‘ on its own.
Format Photograph – print Collection Tate Archive Acquisition Gift of Robet

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‘‘Photographs of the Group Theatre’s production of ‘The Dog Beneath the Skin’ by W. H. Auden and Christopher Isherwood at the Westminster Theatre‘, collection owner: Robert Medley, 30 January 1936‘, collection owner: Robert Medley, 30 January 1936 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-894-15-5/medley-photographs-of-the-group-theatres-production-of-the-dog-beneath-the-skin-by-w-h

Cast members are identified on the backs of photographs 1 and 2.
Format Photograph – print Collection Tate Archive Acquisition Gift of Robet

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‘‘Letter from Paul Nash to Margaret Odeh written from 19 Royal Parade, Cheltenham‘, Paul Nash, recipient: Margaret Nash, 26 September 1913‘, Paul Nash, recipient: Margaret Nash, 26 September 1913 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-44/letter-from-paul-nash-to-margaret-odeh-written-from-19-royal-parade-cheltenham

Contains general news and illustrated with sketch titled ‚Summary dismissal of Price‘ and sketch of Margaret in Greek costume, a sketch of a tree and of Paul. Also concerns a visit made by Paul Nash and his father, William Harry Nash, to Cheltenham. Includes envelope.
Format Document – correspondence Collection Tate Archive Acquisition Gift

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‘‘Private view card and letter from Paul Nash to Margaret Odeh‘, Paul Nash, recipient: Margaret Nash, 4 November 1913‘, Paul Nash, recipient: Margaret Nash, 4 November 1913 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-52/private-view-card-and-letter-from-paul-nash-to-margaret-odeh

Contains mentions of the Rowley Gallery concerning mountings and having tea with Dora Carrington; a private view card for 9 January 1914 for exhibition of paintings by H Gilman and Spencer F Gore at Carfax, and a sketch showing Paul’s nose swollen. Includes envelope.
Format Document – correspondence Collection Tate Archive Acquisition Gift

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‘‘Letter from Paul Nash to Margaret Nash written while on active service in France‘, Paul Nash, recipient: Margaret Nash, 4 April 1917‘, Paul Nash, recipient: Margaret Nash, 4 April 1917 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-140/letter-from-paul-nash-to-margaret-nash-written-while-on-active-service-in-france

Gives news of his experiences in France; mentions writings and drawings in progress, and doing a painting for an advertisement on behalf of his Commanding Officer. Includes envelope.
Format Document – correspondence Collection Tate Archive Acquisition Gift

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‘‘Note to Paul Nash from Lieutenant Colonel Cary-Barnard of the 15th Hampshire Regiment written while on active service in France‘, Lt Colonel Cary-Barnard, recipient: Paul Nash, 20 May 1917‘, Lt Colonel Cary-Barnard, recipient: Paul Nash, 20 May 1917 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-146/note-to-paul-nash-from-lieutenant-colonel-cary-barnard-of-the-15th-hampshire-regiment

The note states that Nash’s drawings are ‚of no importance from a military point of view‘.
Format Document – correspondence Collection Tate Archive Acquisition Gift

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‘‘Letter from Paul Nash to Margaret Nash written while on active service in France‘, Paul Nash, recipient: Margaret Nash, [10–13 March 1917]‘, Paul Nash, recipient: Margaret Nash, [10–13 March 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-137/letter-from-paul-nash-to-margaret-nash-written-while-on-active-service-in-france

Describing his experiences of the war in France; mentions regret at not being able to draw the docks. Includes envelope.
Format Document – correspondence Collection Tate Archive Acquisition Gift

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‘‘Letter from Paul Nash to Margaret Odeh‘, Paul Nash, recipient: Margaret Nash, 3 July 1913‘, Paul Nash, recipient: Margaret Nash, 3 July 1913 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-38/letter-from-paul-nash-to-margaret-odeh

Contains general news and mentions plans to show new works to [William] Richmond and to send pictures to Gordon Bottomley. Also includes a drawing of a woman, and the back of the envelope is illustrated with pictures of doves. This relates to the artwork ‚Lavengro and Isopel in the Dingle‘ 1912-13 (T01782 Tate)
) Format Document – correspondence Collection Tate Archive Acquisition Gift

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‘‘Illustrated letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [16 May 1917]‘, John Nash, recipient: William Harry Nash, [16 May 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-12/illustrated-letter-from-john-nash-to-william-harry-nash

The letter discusses Nash‘ plans for getting a commission, his having joined the bombing section of the battalion and his training to throw grenades, and the sale of an un-named work ‚at the London Group or somewhere‘. The letter is illustrated with a drawing of a garden with two people, hens and hares.
Format Document – correspondence Collection Tate Archive Acquisition Gift

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