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‘‘Letter from Paul Nash to Margaret Odeh‘, Paul Nash, recipient: Margaret Nash, 3 July 1913‘, Paul Nash, recipient: Margaret Nash, 3 July 1913 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-38/letter-from-paul-nash-to-margaret-odeh

Contains general news and mentions plans to show new works to [William] Richmond and to send pictures to Gordon Bottomley. Also includes a drawing of a woman, and the back of the envelope is illustrated with pictures of doves. This relates to the artwork ‚Lavengro and Isopel in the Dingle‘ 1912-13 (T01782 Tate)
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‘‘Illustrated letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [16 May 1917]‘, John Nash, recipient: William Harry Nash, [16 May 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-12/illustrated-letter-from-john-nash-to-william-harry-nash

The letter discusses Nash‘ plans for getting a commission, his having joined the bombing section of the battalion and his training to throw grenades, and the sale of an un-named work ‚at the London Group or somewhere‘. The letter is illustrated with a drawing of a garden with two people, hens and hares.
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‘‘Letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [10 February 1917]‘, John Nash, recipient: William Harry Nash, [10 February 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-9/letter-from-john-nash-to-william-harry-nash

The letter thanks Nash’s father for sending some money and mentions that Nash has received money from the New English Art Club for the sale of a watercolour ‚of the orchard‘. The letter also mentions the cold weather in France and some birds and trees seen by Nash.
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‘‘Letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [14 August 1917]‘, John Nash, recipient: William Harry Nash, [14 August 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-14/letter-from-john-nash-to-william-harry-nash

The letter describes Nash’s experiences at an advanced bombing position on the front line, and explains that he was promoted to Lance Corporal not for an act of gallantry but for his work for the company. Nash mentions that he has received a cheque ‚for my „Canal“ picture which was in the NEAC [New English Art Club]‘.
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‘‘Letter from Paul Nash to Margaret Nash written from Camberley Staff College‘, Paul Nash, recipient: Margaret Nash, 7 November 1916‘, Paul Nash, recipient: Margaret Nash, 7 November 1916 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-120/letter-from-paul-nash-to-margaret-nash-written-from-camberley-staff-college

Annotated on the envelope by Margaret Nash ’special letter for me‘, and concerns their troubled relationship, including Paul apologising for his recent conduct, and discussing the nature of their love. Includes envelope.
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‘‘Letter from Paul Nash to Margaret Nash written from France while on commission to make drawings at the Front as a war artist‘, Paul Nash, recipient: Margaret Nash, 27 November 1917‘, Paul Nash, recipient: Margaret Nash, 27 November 1917 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-165/letter-from-paul-nash-to-margaret-nash-written-from-france-while-on-commission-to-make

Written from France while on commission to make drawings at the Front as a war artist, describing his experiences and his work there. Has two torn pages, with parts missing; discusses Margaret’s reaction to the Sitwells and mentions his Blake drawings and ‚Summer Garden‘. Includes envelope.
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‘‘Note from the War Office to Margaret Nash informing her of an accident involving Paul Nash‘, War Office (London, UK), recipient: Margaret Nash, 30 May 1917‘, War Office (London, UK), recipient: Margaret Nash, 30 May 1917 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-147/note-from-the-war-office-to-margaret-nash-informing-her-of-an-accident-involving-paul-nash

Consists of the notice of the accident sent by the War Office; envelope annotated by Margaret Nash ‚opening this was one of the terrible moments of my life‘ and with description of contents.
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