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‘‘Private view card and letter from Paul Nash to Margaret Odeh‘, Paul Nash, recipient: Margaret Nash, 4 November 1913‘, Paul Nash, recipient: Margaret Nash, 4 November 1913 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-52/private-view-card-and-letter-from-paul-nash-to-margaret-odeh

Contains mentions of the Rowley Gallery concerning mountings and having tea with Dora Carrington; a private view card for 9 January 1914 for exhibition of paintings by H Gilman and Spencer F Gore at Carfax, and a sketch showing Paul’s nose swollen. Includes envelope.
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‘‘Letter from Paul Nash to Margaret Nash written while on active service in France‘, Paul Nash, recipient: Margaret Nash, 4 April 1917‘, Paul Nash, recipient: Margaret Nash, 4 April 1917 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-140/letter-from-paul-nash-to-margaret-nash-written-while-on-active-service-in-france

Gives news of his experiences in France; mentions writings and drawings in progress, and doing a painting for an advertisement on behalf of his Commanding Officer. Includes envelope.
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‘‘Letter from Paul Nash to Margaret Odeh‘, Paul Nash, recipient: Margaret Nash, 3 July 1913‘, Paul Nash, recipient: Margaret Nash, 3 July 1913 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-38/letter-from-paul-nash-to-margaret-odeh

Contains general news and mentions plans to show new works to [William] Richmond and to send pictures to Gordon Bottomley. Also includes a drawing of a woman, and the back of the envelope is illustrated with pictures of doves. This relates to the artwork ‚Lavengro and Isopel in the Dingle‘ 1912-13 (T01782 Tate)
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‘‘Illustrated letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [16 May 1917]‘, John Nash, recipient: William Harry Nash, [16 May 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-12/illustrated-letter-from-john-nash-to-william-harry-nash

The letter discusses Nash‘ plans for getting a commission, his having joined the bombing section of the battalion and his training to throw grenades, and the sale of an un-named work ‚at the London Group or somewhere‘. The letter is illustrated with a drawing of a garden with two people, hens and hares.
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‘‘Letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [10 February 1917]‘, John Nash, recipient: William Harry Nash, [10 February 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-9/letter-from-john-nash-to-william-harry-nash

The letter thanks Nash’s father for sending some money and mentions that Nash has received money from the New English Art Club for the sale of a watercolour ‚of the orchard‘. The letter also mentions the cold weather in France and some birds and trees seen by Nash.
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‘‘Letter from John Nash to William Harry Nash‘, John Nash, recipient: William Harry Nash, [14 August 1917]‘, John Nash, recipient: William Harry Nash, [14 August 1917] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-3-14/letter-from-john-nash-to-william-harry-nash

The letter describes Nash’s experiences at an advanced bombing position on the front line, and explains that he was promoted to Lance Corporal not for an act of gallantry but for his work for the company. Nash mentions that he has received a cheque ‚for my „Canal“ picture which was in the NEAC [New English Art Club]‘.
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‘‘Letter from Paul Nash to Margaret Nash written from Camberley Staff College‘, Paul Nash, recipient: Margaret Nash, 7 November 1916‘, Paul Nash, recipient: Margaret Nash, 7 November 1916 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8313-1-1-120/letter-from-paul-nash-to-margaret-nash-written-from-camberley-staff-college

Annotated on the envelope by Margaret Nash ’special letter for me‘, and concerns their troubled relationship, including Paul apologising for his recent conduct, and discussing the nature of their love. Includes envelope.
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