Dein Suchergebnis zum Thema: Gift

Amano Kazumi: Prints from the Kimm-Grufferman Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/amano-kazumi-prints-from-the-kimm-grufferman-collection

May 29, 2021 – May 29, 2022 | Gallery 226, 227, 237 | Free exhibition In 1964, a young David Hockney won First Prize at the International Exhibition of Drawings and Engravings in Lugano, Switzerland; at the same event, Amano Kazumi received an excellence award for prints of his abstract Moral series. Amano first studied under Munakata Shikō, Japan’s best-known contemporary print artist, who is famous for his roughly executed black-and-white designs
, Self-figure (Mirror), 1965, woodblock print; ink and color on embossed paper, Gift

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Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seven-masters-20th-century-japanese-woodblock-prints-from-the-wells-collection

September 26, 2015 – March 13, 2016 | U. S. Bank Gallery | Free Exhibition Seven Masters focuses on seven artists who played a significant role in the development of early 20th-century shin hanga, the new print, and are noteworthy representatives of this movement. Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Art, it features the spectacular beauty portraits of Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976), the striking actors of Yamamura Toyonari/Kōka (1886–1942) and Natori Shunsen (1886–1960), as well as the evocative landscapes of Kawase Hasui (1883–1957)
Gift of Ellen and Fred Wells 2002.161.70 Seven Masters: 20th-Century Japanese Woodblock

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The Three Perfections: Image, Poem, and Calligraphy in Chinese Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-three-perfections-image-poem-and-calligraphy-in-chinese-painting

December 18, 2021 – December 4, 2022 | Gallery 203 | Free Exhibition Western viewers are often curious about why Chinese artists write on their paintings and what the characters say. This exhibition answers such questions and explores the idea of integrating fine painting, poetry, and calligraphy, known as the “Three Perfections,” in a single artwork
(image), Ink on paper, Gift of Ruth and Bruce Dayton 95.54.2 The Three Perfections

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An Indigenous Art: Huipiles from Mia’s Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/indigenous-art-huipiles

February 14, 2026 – August 2, 2026 | Robert and Marlyss White Gallery (281) | Free Exhibition Derived from a Nahuatl word, a huipil is a traditional blouse worn by women throughout Mesoamerica, particularly among the Maya, since before the 16th century when Spanish explorers arrived in the region. The garment remains especially prevalent in Guatemala’s highland regions, where a majority of Maya descendants reside today. Huipiles are traditionally handwoven on a backstrap loom in two or three rectangular panels, later sewn together
Gift of Richard L. Simmons in memory of Roberta G.

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Under the Influence: Early Works by Frank Gaard –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/under-the-influence-early-works-by-frank-gaard

August 22, 2020 – November 29, 2020 | Cargill Gallery | Free Exhibition Often controversial, never boring, Frank Gaard is known for his cartoonish depictions of everyday life. This exhibition pulls out never-before-seen sketches and prints, alongside works from Mia’s collection
main content Frank Gaard, Untitled (For John and Alice), 1975, acrylic on canvas, gift

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The Art of High Style: Minnesota Couture 1880–1914 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-art-of-high-style-minnesota-couture-1880-1914

May 16, 2019 – August 4, 2019 | Cargill Gallery | Free Exhibition Explore Minnesota’s little-known historic couture fashion industry and learn about the female artisans who led it. Minneapolis and St
Koehler American, 1850-1917 Rainy Evening on Hennepin Avenue, c. 1902 Oil on canvas Gift

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The Poetic Abstractions of Maki Haku: Prints from the Kimm-Grufferman Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-poetic-abstractions-of-maki-haku-prints-from-the-kimm-grufferman-collection

June 4, 2022 – April 9, 2023 | Galleries 226, 227, 237 | Free Exhibition Writing, geometric forms, and textures collide in the works of Maki Haku (1924-2000). Although he never received formal training, Maki learned about printmaking by associating with artists of sōsaku hanga (creative print movement), who valued the artist’s hand in the creation of prints
-2000, Flower Song – 3, 1968, woodblock print; ink and color on embossed paper, Gift

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