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Abstract Prints by Hagiwara Hideo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-prints-by-hagiwara-hideo

December 14, 2019 – May 23, 2021 | Gallery 226, 227, 237 | Free Exhibition Originally a painter trained in oil, Hagiwara Hideo (1913–2007) became ill with tuberculosis and turned to printmaking in 1954. From the start his prints were of an abstract nature, and for 50 years he was a constant innovator in his choice of motifs, style, and technique
the series Thirty-six Fuji, 1981-1986, Woodblock print; ink and color on paper, Gift

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Wandering With Dutch Artists –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/wandering-with-dutch-artists

December 16, 2023 – June 2, 2024 | Winton Jones Gallery (Gallery 344) | Free Exhibition Many Dutch artists of the 1600s left their studios to wander the world around them. They roamed their local streets, passed through the city gates, and walked down to the sea or out into the countryside
Programs Support About Shop Jan van de Velde, Chapel near a pond, 1615, etching, Gift

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Uncanny Blossoming –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/uncanny-blossoming

March 16, 2019 – July 28, 2019 | Gallery 368 | Free Exhibition Since its inception, photography has expanded our understanding of the world’s flora. Images of plant life have helped generations of scientists, artists, and activists define the parameters of the natural world, celebrate its beauty, and advance policies for its protection
Alec William Soth American, born 1969 Venice, Louisiana, 2002 Chromogenic print Gift

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Counter/Culture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/counter-culture

June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
born 1940), Two Can Openers, Kitchen, Pound Ridge, NY, 1978, gelatin silver print, Gift

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Call and Response: American Watercolors in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/call-and-response-american-watercolors-in-conversation

July 8, 2023 – March 3, 2024 | Gallery 353 | Free Exhibition Watercolor is a familiar medium. The paint sets are portable and affordable, and many of us have mixed a little water with the hard, dry cakes of pigment to brush color on a modest sheet of paper
Anonymous gift in memory of Kenji Nakahashi and in honor of Robert Cozzolino, 2019.146.67

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Dwelling in Mountains: Reclusion in Chinese Landscape Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/dwelling-in-mountains-reclusion-in-chinese-landscape-painting

October 1, 2023 – October 20, 2024 | Gallery 203 | Free Exhibition The idea of retreating from society into mountainous landscapes has a long history in China. Daoist, Buddhist, and Confucian followers all regarded mountains as sacred places where one could become spiritually fulfilled, far from restraining social burdens. This exhibition features classical Chinese paintings from Mia’s permanent collection that express the idyllic life of mountain dwellers, from recluses in their mountain huts to scenic lakes with fishermen who represent a life of freedom and spontaneity
Landscape with Scholar Viewing a Waterfall (detail), 1722, Ink and colors on paper, Gift

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Georges Jeanclos’s Sleepers (Dormeurs) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/georges-jeancloss-sleepers-dormeurs

May 28, 2016 – February 4, 2018 | Judaica (G362) | Free exhibition Georges Jeanclos (1933–97) was among the most important ceramic sculptors in France during the late 20th century. He developed personal imagery centering on themes of death, birth, resurrection, and human interconnection
About Shop Georges Jeanclos French, 1933-97 Dormeurs (Sleepers), 1979 Fired clay Gift

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Fukuda Kodōjin: Japan’s Great Poet and Landscape Artist –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/fukuda-kodojin-japans-great-poet-and-landscape-artist

April 22, 2023 – July 23, 2023 | Galleries 237, 238, 239, 251, 252, 253 | Free Exhibition Fukuda Kodōjin (1865–1944) was one of a handful of scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. Kodōjin’s painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature
(detail), hanging scroll, ink and color on silk, Minneapolis Institute of Art, Gift

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A World of Radiant Awakening: Buddhism and the Painting of China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-world-of-radiant-awakening-buddhism-and-the-painting-of-china

March 18, 2017 – March 18, 2018 | The Sit Gallery (G203) | Free Exhibition Buddhism has been a dominant religious and intellectual force in China since it arrived from India around 100 C.E. Both literati and professional artists created Chinese Buddhist paintings
(1644–1911) Two Versions of Bodhisattva Guanyin, c. 1750 Ink and colors on silk Gift

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