Dein Suchergebnis zum Thema: Gift

Azechi Umetarō: Call of the Mountains –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/azechi-umetaro-call-of-the-mountains

April 22, 2023 – January 21, 2024 | Gallery 226, 227 | Free Exhibition Azechi Umetarō (1902–1999) loved the mountains. His earliest memory of climbing was as a child, when he hiked a large hill near his house; upon reaching the top, he was astounded by even taller landmasses looming in the distance
Man in a Mountain Hut [detail], 1953, woodblock print, ink and color on paper, Gift

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Tanaka Ryōhei: Portrait of a Home –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tanaka-ryohei-portrait-of-a-home

February 10, 2024 – November 10, 2024 | Gallery 226, 227 | Free Exhibition Tanaka Ryōhei (1933–2019) was a prolific Japanese printmaker who specialized in etchings. Born and raised in Takatsuki, he grew up surrounded by the rural landscapes of western Japan, which would become the subject of his prints
Gift of Sue Y.S.

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Objectivity: Metaphorical and Material Lives of Photographs –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/objectivity-metaphorical-and-material-lives-of-photographs

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

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And more by more they dream their sleep: Mezzotints by Yōzō Hamaguchi –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/and-more-by-more-they-dream-their-sleep-mezzotints-by-yozo-hamaguchi

November 27, 2024 – July 20, 2025 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Hamaguchi Yōzō (Japanese, 1909-2000), Twenty-Two Cherries (detail), color mezzotint, Gift

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Bizen: Contemporary Expressions of an Ancient Japanese Pottery –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/bizen-contemporary-expressions-of-an-ancient-japanese-pottery

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

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Year of the Dragon: Mystical Creatures of the Sky –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/year-of-the-dragon-mystical-creatures-of-the-sky

February 10, 2024 – May 5, 2024 | Cargill Gallery | Free Exhibition From the dragon’s first appearance in art some eight to nine thousand years ago, during the early Neolithic period, these ferocious beasts have occupied an honored place in Chinese culture. Their majestic power has inspired art in nearly every medium—jade to bronze, ceramics to paintings
China, Tang dynasty (618-907), Pair of flying dragons, 8th century, gilt bronze, Gift

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