Dein Suchergebnis zum Thema: Gift

Counter/Culture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/counter-culture

June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
born 1940), Two Can Openers, Kitchen, Pound Ridge, NY, 1978, gelatin silver print, Gift

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Seeking a Truth: German Art of the 1920s and 1930s –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seeking-a-truth-german-art-of-the-1920s

September 23, 2017 – February 18, 2018 | Perlman Gallery, Gallery 368 | Free Exhibition This exhibition features works created during the 1920s and 1930s from the collections of Mia and Al and Ingrid Lenz Harrison. These artworks are contemporaneous to August Sander’s People of the Twentieth Century portraits, shown in „New Pictures: Omer Fast, Appendix.“ Primarily showcasing images drawn from Mia’s photographic collection, the exhibition also includes prints, drawings, sculptures, and a painting created by artists in Germany during the Weimar Republic
with Mirror, 1928 Gelatin silver print (printed 1984) The Modernism Collection, gift

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Abstract Prints by Hagiwara Hideo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/abstract-prints-by-hagiwara-hideo

December 14, 2019 – May 23, 2021 | Gallery 226, 227, 237 | Free Exhibition Originally a painter trained in oil, Hagiwara Hideo (1913–2007) became ill with tuberculosis and turned to printmaking in 1954. From the start his prints were of an abstract nature, and for 50 years he was a constant innovator in his choice of motifs, style, and technique
the series Thirty-six Fuji, 1981-1986, Woodblock print; ink and color on paper, Gift

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Rembrandt in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/rembrandt-in-conversation

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

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Picasso Cuts the Bull –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/picasso-cuts-the-bull

April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
Longfellow Fund for Works on Paper, and gift of funds from Barbara S.

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George Morrison: Drawings and Small Paintings –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-drawings-and-small-paintings

October 21, 2017 – July 1, 2018 | Gallery 353 | Free Exhibition George Morrison (1919–2000) was a renowned Anishinaabe modernist from Minnesota whose visionary work was inspired by the natural world, a profound sense of place, and Native American thought and culture. Morrison believed that nature, particularly the sky and water, held a spiritual vitality, a transcendent force that could be experienced through an aesthetic rooted in abstraction and surrealism.  Emotive, personal, intuitive, and organic, Morrison’s approach was also deeply introspective, with Minnesota landscapes and the shoreline of Lake Superior serving as his principal subjects
Portage Anishinaabe), 1919-2000 Untitled, 1994 Colored pencil and ink on paper Gift

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And More by More They Dream Their Sleep: Mezzotints by Yōzō Hamaguchi Part II –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/and-more-by-more-they-dream-their-sleep-mezzotints-by-yozo-hamaguchi

August 2, 2025 – April 5, 2026 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Gift of Charles and Robyn Citrin. 2023.101.8 And More by More They Dream Their Sleep

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