Dein Suchergebnis zum Thema: Gift

Call and Response: American Watercolors in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/call-and-response-american-watercolors-in-conversation

July 8, 2023 – March 3, 2024 | Gallery 353 | Free Exhibition Watercolor is a familiar medium. The paint sets are portable and affordable, and many of us have mixed a little water with the hard, dry cakes of pigment to brush color on a modest sheet of paper
Anonymous gift in memory of Kenji Nakahashi and in honor of Robert Cozzolino, 2019.146.67

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Georges Jeanclos’s Sleepers (Dormeurs) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/georges-jeancloss-sleepers-dormeurs

May 28, 2016 – February 4, 2018 | Judaica (G362) | Free exhibition Georges Jeanclos (1933–97) was among the most important ceramic sculptors in France during the late 20th century. He developed personal imagery centering on themes of death, birth, resurrection, and human interconnection
content Georges Jeanclos French, 1933-97 Dormeurs (Sleepers), 1979 Fired clay Gift

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The Contested Body –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-contested-body

December 23, 2017 – February 10, 2019 | G373 | Free Exhibition Contemporary artists approach the human body not as a fixed and stable entity, but rather as a fluid, contested site for the creation of meaning. The works in this exhibition present the varied expressions of gender, race, and sexuality not as biological givens but as cultural constructs performed through everyday actions and mannerisms. „The Contested Body“ features loaned objects and recent acquisitions of work by artists Emma Amos, Sadie Benning, Sharon Hayes, George Segal, Lorna Simpson, Martin Wong, and Portia Zvavahera, among others in which the body is reimagined as a site of agency, empowerment, celebration, and struggle in an attempt to encompass the complexity and multiplicity of the human condition.
born 1973 Bess, 2016 Aqua resin, wood casein, photographs, digital photographs Gift

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Azechi Umetarō: Call of the Mountains –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/azechi-umetaro-call-of-the-mountains

April 22, 2023 – January 21, 2024 | Gallery 226, 227 | Free Exhibition Azechi Umetarō (1902–1999) loved the mountains. His earliest memory of climbing was as a child, when he hiked a large hill near his house; upon reaching the top, he was astounded by even taller landmasses looming in the distance
Man in a Mountain Hut [detail], 1953, woodblock print, ink and color on paper, Gift

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Goltzius & Co. –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/goltzius-co

April 6, 2024 – November 3, 2024 | Gallery 315, Gallery 316 | Free Exhibition Hendrick Goltzius (1558–1617) rose to become the hero of Dutch art in the late 1500s. He started his career as an engraver of copper printing plates, developing his skills to mind-boggling perfection, whether working in fine detail or with bravura gesture. Sometimes he engraved his own inventions; sometimes he worked from other artists’ drawings
Gift of Chichi Steiner and Tom Rassieur in honor of Kristin Lenaburg, 2023.32 Goltzius

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Year of the Horse: Hoofbeats through Time –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/year-of-the-horse

February 17, 2026 – August 30, 2026 | Bell Family Decorative Arts Court (333) | Free Exhibition „Year of the Horse: Hoofbeats through Time“ celebrates the enduring power, beauty, and symbolism of horses in Chinese art and culture. Across millennia, the horse has galloped through China’s imagination—as chariot puller, zodiac sign, loyal companion, and poetic metaphor. This exhibition explores the horse as both a real creature and a cultural emblem—embodying strength, status, virtue, and aspiration
dynasty (25–220 CE), Celestial Horse (detail), bronze with traces of polychrome, gift

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Counter/Culture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/counter-culture

June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
born 1940), Two Can Openers, Kitchen, Pound Ridge, NY, 1978, gelatin silver print, Gift

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