Dein Suchergebnis zum Thema: Gift

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

April 22, 2023 – January 21, 2024 | Gallery 226, 227 | Free Exhibition Azechi Umetarō (1902–1999) loved the mountains. His earliest memory of climbing was as a child, when he hiked a large hill near his house; upon reaching the top, he was astounded by even taller landmasses looming in the distance
Man in a Mountain Hut [detail], 1953, woodblock print, ink and color on paper, Gift

April 6, 2024 – November 3, 2024 | Gallery 315, Gallery 316 | Free Exhibition Hendrick Goltzius (1558–1617) rose to become the hero of Dutch art in the late 1500s. He started his career as an engraver of copper printing plates, developing his skills to mind-boggling perfection, whether working in fine detail or with bravura gesture. Sometimes he engraved his own inventions; sometimes he worked from other artists’ drawings
Gift of Chichi Steiner and Tom Rassieur in honor of Kristin Lenaburg, 2023.32 Goltzius

Gift of John Morton Morris in Honor of Patrick Noon, 2020.54.2 Virtual Event: In

February 17, 2026 – August 30, 2026 | Bell Family Decorative Arts Court (333) | Free Exhibition „Year of the Horse: Hoofbeats through Time“ celebrates the enduring power, beauty, and symbolism of horses in Chinese art and culture. Across millennia, the horse has galloped through China’s imagination—as chariot puller, zodiac sign, loyal companion, and poetic metaphor. This exhibition explores the horse as both a real creature and a cultural emblem—embodying strength, status, virtue, and aspiration
dynasty (25–220 CE), Celestial Horse (detail), bronze with traces of polychrome, gift

August 20, 2016 – March 19, 2017 | Regis Fountain Court | Free Exhibition Enjoy a rare opportunity to see 14 American quilts from Mia’s collection, dating from the mid-1800s to the mid-1900s. See appliquéd, pieced, and embroidered quilts in a dramatic, ceiling-suspended display in Mia’s grand Regis Fountain Court
1890 Pieced wool, silk, and cotton Lancaster County, Pennsylvania, United States Gift

November 14, 2020 – November 7, 2021 | G218 | Free Exhibition In the male-dominated society of imperial China, most women were physically restricted to domestic spaces. The center of a woman’s life was the bedroom, where she would sit alone or with others, working or pursuing leisurely activities
Gift of Ruth and Bruce Dayton 2002.4.5 Intimate Space: A Noblewoman’s Bedroom in

November 26, 2016 – May 7, 2017 | The Winton Jones Print and Drawing Gallery – Gallery 344 | Free Exhibition Printmaker Félix Bracquemond (1833–1914) ruled the roost in mid-1800s France by reviving interest in etching, a technique made famous by Rembrandt. Bracquemond led the way with his printmaking excellence and innovation, attempting the century’s first color etching and adopting design ideas from Japanese woodcuts, which he is credited with discovering in a Paris shop
Ladd Collection, gift of Herschel V.

November 21, 2015 – April 2, 2017 | G326 and G327 | Free This installation situates one of the greatest authors of English literature, Jane Austen, in a unique period room setting. Taking up two of Mia’s well-loved English interiors—the Queen Anne room and the Georgian Drawing room—this display will discuss Austen’s habits as a reader and writer, recreate scenes from her novel Emma (celebrating its 200th birthday in 2015), and invite museum visitors to read works that Austen read, wrote, or inspired. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation
content The Jane Austen Reading Room England, Queen Anne room, c. 1720–1730, Oak Gift

May 29, 2021 – May 29, 2022 | Gallery 226, 227, 237 | Free exhibition In 1964, a young David Hockney won First Prize at the International Exhibition of Drawings and Engravings in Lugano, Switzerland; at the same event, Amano Kazumi received an excellence award for prints of his abstract Moral series. Amano first studied under Munakata Shikō, Japan’s best-known contemporary print artist, who is famous for his roughly executed black-and-white designs
, Self-figure (Mirror), 1965, woodblock print; ink and color on embossed paper, Gift