Dein Suchergebnis zum Thema: Gift

Dark Visions –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/dark-visions

June 15, 2024 – December 8, 2024 | Gallery 344 (Winton Jones Gallery) | Free Exhibition Some people go bungee jumping or cave exploring for fun, but most of us would rather watch a scary movie or listen to a ghost story when we need a little fright in our lives. It wasn’t much different in the 1700s and the 1800s
main content Luigi Sabatelli, Satan in Hell (detail), c. 1800, pen and brown ink, Gift

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Touring Japan through Landscape Prints by Kawase Hasui –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/touring-japan-through-landscape-prints-by-kawase-hasui

May 19, 2018 – August 5, 2018 | G239 | Free Exhibition Kawase Hasui was the most prolific print artist of his time, making more than 600 woodblock prints. His success was based on his ability to capture Japan’s beautiful scenery in compositions that could transform an ordinary village to an appealing vista
-1957 Benten Pond at Shiba, August 1929 Woodblock print, ink and color on paper Gift

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New at Mia: Contemporary Works on Paper by Women Artists –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/new-at-mia-contemporary-works-on-paper-by-women-artists

April 6, 2024 – October 13, 2024 | Gallery 353 | Free Exhibition This exhibition showcases a selection of watercolors, drawings, and original prints recently added to Mia’s permanent collection. Ranging in date from 1975 to 2023, all are the work of women artists—some celebrated, others less widely known
Gift of Kohler Foundation, Inc. and Eleanor Spiess-Ferris 2023.81.2 New at Mia:

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Tanaka Ryōhei: Portrait of a Home –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/tanaka-ryohei-portrait-of-a-home

February 10, 2024 – November 10, 2024 | Gallery 226, 227 | Free Exhibition Tanaka Ryōhei (1933–2019) was a prolific Japanese printmaker who specialized in etchings. Born and raised in Takatsuki, he grew up surrounded by the rural landscapes of western Japan, which would become the subject of his prints
Gift of Sue Y.S.

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Trees Lovely as a Poem: Works on Paper –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/trees-lovely-as-a-poem-works-on-paper

August 1, 2015 – March 27, 2016 | Gallery 353 | Free exhibition Like a tree pruned one too many times, some of the museum’s finest artworks have been forced to stay quiet. These are watercolors, pastels, gouaches, charcoals, and ink drawings that are rarely exhibited out of concern for their light-sensitive materials
Landscape with Trees near Hillegom, c. 1800 Black chalk with brush and gray wash Gift

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Year of the Dragon: Mystical Creatures of the Sky –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/year-of-the-dragon-mystical-creatures-of-the-sky

February 10, 2024 – May 5, 2024 | Cargill Gallery | Free Exhibition From the dragon’s first appearance in art some eight to nine thousand years ago, during the early Neolithic period, these ferocious beasts have occupied an honored place in Chinese culture. Their majestic power has inspired art in nearly every medium—jade to bronze, ceramics to paintings
China, Tang dynasty (618-907), Pair of flying dragons, 8th century, gilt bronze, Gift

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Objectivity: Metaphorical and Material Lives of Photographs –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/objectivity-metaphorical-and-material-lives-of-photographs

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017, Gelatin silver print, Gift

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Bizen: Contemporary Expressions of an Ancient Japanese Pottery –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/bizen-contemporary-expressions-of-an-ancient-japanese-pottery

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

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