Meintest du gibt?
June 15, 2024 – December 8, 2024 | Gallery 344 (Winton Jones Gallery) | Free Exhibition Some people go bungee jumping or cave exploring for fun, but most of us would rather watch a scary movie or listen to a ghost story when we need a little fright in our lives. It wasn’t much different in the 1700s and the 1800s
About Shop Luigi Sabatelli, Satan in Hell (detail), c. 1800, pen and brown ink, Gift
April 6, 2024 – October 13, 2024 | Gallery 353 | Free Exhibition This exhibition showcases a selection of watercolors, drawings, and original prints recently added to Mia’s permanent collection. Ranging in date from 1975 to 2023, all are the work of women artists—some celebrated, others less widely known
Gift of Kohler Foundation, Inc. and Eleanor Spiess-Ferris 2023.81.2 New at Mia:
April 22, 2023 – January 21, 2024 | Gallery 226, 227 | Free Exhibition Azechi Umetarō (1902–1999) loved the mountains. His earliest memory of climbing was as a child, when he hiked a large hill near his house; upon reaching the top, he was astounded by even taller landmasses looming in the distance
Man in a Mountain Hut [detail], 1953, woodblock print, ink and color on paper, Gift
Gift of John Morton Morris in Honor of Patrick Noon, 2020.54.2 Virtual Event: In
January 13, 2024 – June 16, 2024 | Perlman Gallery (Gallery 368) | Free Exhibition Acts of care can unfold in surprising ways, in surprising places. At work, where colleagues care for their collaborations
Gift of funds from Mary and Bob Mersky, 2022.82 © Pamela Phatsimo Sunstrum Networks
September 13, 2025 – March 22, 2026 | Galleries 315 and 316 | Free Exhibition “Gatsby at 100” explores how F. Scott Fitzgerald’s novel The Great Gatsby shaped—and was shaped by—the visual art of his time
Shop Hastio, June 7, 1925 (detail), Ernesto García Cabral, color lithograph, gift
July 27, 2024 – March 2, 2025 | Gallery 275 | Free Exhibition Art from Latin America and the Caribbean has been collected by Mia since the 1940s, particularly in the form of ceramics, objects in gold, and textiles produced by artmakers of the ancient civilizations that populated Central and South America. The collection has significantly increased over the years largely because of donations and purchases of works by historical and contemporary artists
About Shop Rufino Tamayo (Mexican, 1899 – 1991), The Family, 1936, oil on canvas, Gift
February 1, 2020 – August 9, 2020 | Cargill Gallery | Free Exhibition Tsukioka Yoshitoshi (1839–1892) is considered the last major artist of classical Japanese woodblock prints, known as ukiyo-e. His career spanned Japan’s transformation from feudal backwater to modern nation-state, largely during the Meiji period (1868–1912), when he was the undisputed leader in his field
Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift
November 27, 2024 – July 20, 2025 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Hamaguchi Yōzō (Japanese, 1909-2000), Twenty-Two Cherries (detail), color mezzotint, Gift
March 25, 2023 – August 6, 2023 | Cargill Gallery | Free Exhibition Reading and writing were popular pastimes in early modern Japan. From the 1600s to the 1800s, the printing industry developed rapidly, making printed materials available to readers in urban and rural areas alike
Shop Ogawa Haritsu, Frogs in Writing Contest, c. 1738, ink and color on paper, gift
