Dein Suchergebnis zum Thema: Gift

Intimate Space: A Noblewoman’s Bedroom in Late Imperial China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/intimate-space-a-noblewomans-bedroom-in-late-imperial-china

November 14, 2020 – November 7, 2021 | G218 | Free Exhibition In the male-dominated society of imperial China, most women were physically restricted to domestic spaces. The center of a woman’s life was the bedroom, where she would sit alone or with others, working or pursuing leisurely activities
Gift of Ruth and Bruce Dayton 2002.4.5 Intimate Space: A Noblewoman’s Bedroom in

    Kategorien:
  • International
Seite melden

An Indigenous Art: Huipiles from Mia’s Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/indigenous-art-huipiles

February 14, 2026 – August 2, 2026 | Robert and Marlyss White Gallery (281) | Free Exhibition Derived from a Nahuatl word, a huipil is a traditional blouse worn by women throughout Mesoamerica, particularly among the Maya, since before the 16th century when Spanish explorers arrived in the region. The garment remains especially prevalent in Guatemala’s highland regions, where a majority of Maya descendants reside today. Huipiles are traditionally handwoven on a backstrap loom in two or three rectangular panels, later sewn together
Gift of Richard L. Simmons in memory of Roberta G.

    Kategorien:
  • International
Seite melden

Counter/Culture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/counter-culture

June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
born 1940), Two Can Openers, Kitchen, Pound Ridge, NY, 1978, gelatin silver print, Gift

    Kategorien:
  • International
Seite melden

Dwelling in Mountains: Reclusion in Chinese Landscape Painting –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/dwelling-in-mountains-reclusion-in-chinese-landscape-painting

October 1, 2023 – October 20, 2024 | Gallery 203 | Free Exhibition The idea of retreating from society into mountainous landscapes has a long history in China. Daoist, Buddhist, and Confucian followers all regarded mountains as sacred places where one could become spiritually fulfilled, far from restraining social burdens. This exhibition features classical Chinese paintings from Mia’s permanent collection that express the idyllic life of mountain dwellers, from recluses in their mountain huts to scenic lakes with fishermen who represent a life of freedom and spontaneity
Landscape with Scholar Viewing a Waterfall (detail), 1722, Ink and colors on paper, Gift

    Kategorien:
  • International
Seite melden

Call and Response: American Watercolors in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/call-and-response-american-watercolors-in-conversation

July 8, 2023 – March 3, 2024 | Gallery 353 | Free Exhibition Watercolor is a familiar medium. The paint sets are portable and affordable, and many of us have mixed a little water with the hard, dry cakes of pigment to brush color on a modest sheet of paper
Anonymous gift in memory of Kenji Nakahashi and in honor of Robert Cozzolino, 2019.146.67

    Kategorien:
  • International
Seite melden

Georges Jeanclos’s Sleepers (Dormeurs) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/georges-jeancloss-sleepers-dormeurs

May 28, 2016 – February 4, 2018 | Judaica (G362) | Free exhibition Georges Jeanclos (1933–97) was among the most important ceramic sculptors in France during the late 20th century. He developed personal imagery centering on themes of death, birth, resurrection, and human interconnection
content Georges Jeanclos French, 1933-97 Dormeurs (Sleepers), 1979 Fired clay Gift

    Kategorien:
  • International
Seite melden

The Contested Body –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-contested-body

December 23, 2017 – February 10, 2019 | G373 | Free Exhibition Contemporary artists approach the human body not as a fixed and stable entity, but rather as a fluid, contested site for the creation of meaning. The works in this exhibition present the varied expressions of gender, race, and sexuality not as biological givens but as cultural constructs performed through everyday actions and mannerisms. „The Contested Body“ features loaned objects and recent acquisitions of work by artists Emma Amos, Sadie Benning, Sharon Hayes, George Segal, Lorna Simpson, Martin Wong, and Portia Zvavahera, among others in which the body is reimagined as a site of agency, empowerment, celebration, and struggle in an attempt to encompass the complexity and multiplicity of the human condition.
born 1973 Bess, 2016 Aqua resin, wood casein, photographs, digital photographs Gift

    Kategorien:
  • International
Seite melden