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Reimagining Native/American Art –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/reimagining-native-american-art

November 11, 2023 – May 27, 2024 | Galleries 301-304 | Free What happens when Native American and American art is seen together, rather than in separate places? Might we look at these artworks in a new way? What stories and connections emerge from this new way of being together? These are some of the questions that guided a collaboratively reimagined suite of galleries. This Indigenous-led, consensus-based curatorial experiment is based on Dakota philosophies and ways of being
Lamar Petersen American, born 1974, The Late Spring Arrival, 2022 Oil on canvas, Gift

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Just Kids –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/just-kids

January 4, 2020 – December 13, 2020 | Harrison Photography Gallery | Free Exhibition Perhaps no other subject has been so well documented as the lives of children. The first text message to include a photographic image was a birth announcement; today, snapshots of children, teens, and young adults are among the most widely shared images across digital platforms
Gift of Stuart Klipper, in memory of his father, 93.73 Just Kids Just Kids January

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Year of the Dragon: Mystical Creatures of the Sky –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/year-of-the-dragon-mystical-creatures-of-the-sky

February 10, 2024 – May 5, 2024 | Cargill Gallery | Free Exhibition From the dragon’s first appearance in art some eight to nine thousand years ago, during the early Neolithic period, these ferocious beasts have occupied an honored place in Chinese culture. Their majestic power has inspired art in nearly every medium—jade to bronze, ceramics to paintings
China, Tang dynasty (618-907), Pair of flying dragons, 8th century, gilt bronze, Gift

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Bizen: Contemporary Expressions of an Ancient Japanese Pottery –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/bizen-contemporary-expressions-of-an-ancient-japanese-pottery

June 1, 2024 – February 16, 2025 | Gallery 251, 252, 253 | Free Exhibition Bizen ware, characterized by its rich reddish-brown clay with natural ash glaze, is one of Japan’s six pottery traditions. Originating from today’s Okayama prefecture on the Seto Inland Sea, its history reaches back to the 14th century
vessel, 2015, Bizen ware; stoneware with natural ash glaze and hidasuki marks, Gift

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Trees Lovely as a Poem: Works on Paper –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/trees-lovely-as-a-poem-works-on-paper

August 1, 2015 – March 27, 2016 | Gallery 353 | Free exhibition Like a tree pruned one too many times, some of the museum’s finest artworks have been forced to stay quiet. These are watercolors, pastels, gouaches, charcoals, and ink drawings that are rarely exhibited out of concern for their light-sensitive materials
Landscape with Trees near Hillegom, c. 1800 Black chalk with brush and gray wash Gift

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Félix Bracquemond: Etcher of Birds –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/felix-bracquemond-etcher-of-birds

November 26, 2016 – May 7, 2017 | The Winton Jones Print and Drawing Gallery – Gallery 344 | Free Exhibition Printmaker Félix Bracquemond (1833–1914) ruled the roost in mid-1800s France by reviving interest in etching, a technique made famous by Rembrandt. Bracquemond led the way with his printmaking excellence and innovation, attempting the century’s first color etching and adopting design ideas from Japanese woodcuts, which he is credited with discovering in a Paris shop
Ladd Collection, gift of Herschel V.

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Living Rooms | The Jane Austen Reading Room –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/living-rooms-the-jane-austen-reading-room

November 21, 2015 – April 2, 2017 | G326 and G327 | Free This installation situates one of the greatest authors of English literature, Jane Austen, in a unique period room setting. Taking up two of Mia’s well-loved English interiors—the Queen Anne room and the Georgian Drawing room—this display will discuss Austen’s habits as a reader and writer, recreate scenes from her novel Emma (celebrating its 200th birthday in 2015), and invite museum visitors to read works that Austen read, wrote, or inspired. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation
Shop The Jane Austen Reading Room England, Queen Anne room, c. 1720–1730, Oak Gift

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Seven Masters: 20th-Century Japanese Woodblock Prints from the Wells Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/seven-masters-20th-century-japanese-woodblock-prints-from-the-wells-collection

September 26, 2015 – March 13, 2016 | U. S. Bank Gallery | Free Exhibition Seven Masters focuses on seven artists who played a significant role in the development of early 20th-century shin hanga, the new print, and are noteworthy representatives of this movement. Drawing from the collection of Ellen and Fred Wells at the Minneapolis Institute of Art, it features the spectacular beauty portraits of Hashiguchi Goyō (1880–1921), Itō Shinsui (1898–1972), Yamakawa Shūhō (1898–1944), and Torii Kotondo (1900–1976), the striking actors of Yamamura Toyonari/Kōka (1886–1942) and Natori Shunsen (1886–1960), as well as the evocative landscapes of Kawase Hasui (1883–1957)
Gift of Ellen and Fred Wells 2002.161.70 Seven Masters: 20th-Century Japanese Woodblock

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Rembrandt in Conversation –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/rembrandt-in-conversation/

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

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