Dein Suchergebnis zum Thema: Gift

September 24, 2016 – June 11, 2017 | Galleries 315, 316 | Free Exhibition Die Neuen Wilden (The New Wild Ones) was an informal group of young Neo-Expressionist artists active in Germany from the mid-1970s to the early 1990s. Taking a cue from German Expressionist art of the early 20th century, Neo-Expressionism was bold, raw, brutish, spontaneous, messy, vital, emotional, sensual, antimodern, antiprogressive, and at times nihilistic, denying any meaning in life
Erste Konzentration I” (First Concentration I) portfolio Woodcut​; ​edition of 50 Gift

December 7, 2019 – October 18, 2020 | Gallery 275 | Free Exhibition Showcased here is a selection of fiber artworks acquired over the past five years by Mia’s Department of Decorative Arts, Textiles, and Sculpture. The term “fiber art” came into being in the years following World War II (1939–45) to describe the work of artists who employed various methods of textile production traditionally recognized as “craft” or “women’s work”: weaving, knitting, crochet, and other techniques
Helena Hernmarck American (born Sweden), born 1941 Moot, 1971 Wool, linen, cotton Gift

March 17, 2021 – September 19, 2021 | G370 | Free Exhibition On March 24, 2020, Minneapolis-based artist Piotr Szyhalski embarked on a daily drawing practice, responding to the COVID-19 pandemic as it unfolded in real time. What began as a way for the artist to share observations of life in lockdown and the pain caused by the pandemic, soon became an exercise in chronicling his thoughts and feelings, reconciling them with the changes being wrought in the world. COVID-19: Labor Camp Report consists of 225 drawings created over eight months, with new drawings posted daily on Instagram, a witness to the unfolding crisis and a record of time both labored and lost. Explore Exhibition     Views of Gallery 370 with objects installed for the exhibition „Piotr Szyhalski / Labor Camp – COVID-19: Labor Camp Report“ at Minneapolis Institute of Art.  
Labor Camp, Polish, born 1967, COVID-19: Labor Camp Report, 2020, Digital folio, Gift

November 14, 2015 – January 3, 2016 | Cargill Gallery | Free Exhibition A pair of two silver statues by Neapolitan artist Giuseppe Sanmartino (1720–93), donated to the museum by long-time trustees Al and Mary Agnes McQuinn, marks one of the most important additions to Mia’s silver collection. Executed with amazing detail, the statues testify to a devotion to the two Archangels, an act that goes back to the Early Christian period and continues to flourish in Southern Italy (as well as in the Greek and Russian Orthodox churches) to the present day
Silver, gilt bronze Gift of Al and Mary Agnes McQuinn 2015.24.1,2 The Archangels

January 6, 2024 – June 23, 2024 | Harrison Photography Gallery | Free Exhibition In the summer of 1942, during a yearlong fellowship in Washington, D.C., Gordon Parks photographed government worker Ella Watson across the varied landscape of her daily life. The resulting picture story presents Watson—a custodian, the head of a household, a deaconess at her church—as a vital figure within the civic sphere
Gift of Frederick B.

Goodwin, United States, 1882–1935 A “Bear” Chance, 1907, oil on canvas Gift of

Goodwin, United States, 1882–1935 A “Bear” Chance, 1907, oil on canvas Gift of

June 27, 2015 – August 21, 2016 | Galleries 200/203 | Free Exhibition Mountains lie at the very heart of Chinese culture and art. A bridge between the human and transcendental realms, they have provided an enduring source of inspiration for poets, scholars, and artists and remain a potent theme within China’s landscape painting tradition. The idea of retreating from society into a life of reclusion in the mountains has a long-standing history in China
Southern Song-Yuan dynasty Corridor Through the Pines, c. 1300 Ink and color on silk Gift

main content The Living Need Light, the Dead Need Music, 2014, Propeller Group, Gift

May 31, 2014 – April 19, 2015 | Corridor adjacent to the Wu House in G218 | Free Exhibition An art material since the late Neolithic period (c. 3200–2200 BCE), Chinese lacquer is a natural varnish made from the sap of the lacquer tree that, when exposed to air, forms a plastic coat, resistant to water, acid, or alkaline corrosion
tihong) 4 5/8 x 12 7/16 x 9 1/8 in. (11.7 x 31.6 x 23.2 cm) Origin: China, Asia Gift