Dein Suchergebnis zum Thema: Gift

Living Rooms | Made in China: The MacFarlane Room Wallpaper –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/living-rooms-made-in-china-the-macfarlane-room-wallpaper

May 12, 2015 – May 29, 2016 | G328 | Free Mia created the MacFarlane Memorial Room in the mid-1970s to display hand-painted Chinese export wallpapers, made in the late 1700s or early 1800s and given to the museum by Mabel MacFarlane in 1967. The room is usually furnished with Federal-style American furniture, given to the museum by the MacFarlane family, and represents a parlor in the home of a wealthy New England family. For this special installation focusing on the wallpaper, we have removed the furnishings and invite visitors to come inside, sit down, and let their eyes wander over the wallpaper’s many lively scenes of a Chinese New Year festival in a noble family’s garden. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation. Generous support for Living Rooms provided by the National Endowment for the Arts and donors at the 2014 Mia Gala.  
content Chinese, for export Wallpaper, late 1700s or early 1800s Pigments on paper Gift

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The Coated Splendor: Art of Chinese Lacquer (12th-19th centuries) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-coated-splendor-art-of-chinese-lacquer-12th-19th-centuries

May 31, 2014 – April 19, 2015 | Corridor adjacent to the Wu House in G218 | Free Exhibition An art material since the late Neolithic period (c. 3200–2200 BCE), Chinese lacquer is a natural varnish made from the sap of the lacquer tree that, when exposed to air, forms a plastic coat, resistant to water, acid, or alkaline corrosion
tihong) 4 5/8 x 12 7/16 x 9 1/8 in. (11.7 x 31.6 x 23.2 cm) Origin: China, Asia Gift

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Machines for Living –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/machines-for-living

July 26, 2014 – July 24, 2016 | Wells Fargo CenterDowntown Minneapolis | Free Exhibition We often take electricity for granted, but in the early 20th century, it changed modern life. Most notably, mundane everyday activities took on a new excitement and efficiency through the development of electric appliances. The production of time-saving devices surged from the 1920s to the 1940s, and it was no coincidence that the industrial design profession developed alongside it
designed 1937) Chrome-plated steel, aluminum, vinyl, rubber, plastic, animal hair Gift

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Chaos: Ken Matsubara’s Buddhist Masterwork –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/chaos-ken-matsubaras-buddhist-masterwork

September 2, 2023 – April 14, 2024 | Bell Family Decorative Arts Court (Gallery 333) | Free Exhibition Two paintings, 600 years apart: the 14th century Taima Mandala and the 20th century Chaos by Ken Matsubara. Despite the chronological distance between them, these two pieces are connected by Buddhist threads
established by the Mary Livingston Griggs and Mary Griggs Burke Foundation and gift

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Yoshitoshi: Master Draftsman Transformed –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/yoshitoshi-master-draftsman-transformed/

February 1, 2020 – August 9, 2020 | Cargill Gallery | Free Exhibition Tsukioka Yoshitoshi (1839–1892) is considered the last major artist of classical Japanese woodblock prints, known as ukiyo-e. His career spanned Japan’s transformation from feudal backwater to modern nation-state, largely during the Meiji period (1868–1912), when he was the undisputed leader in his field
Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift

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Living Clay: Artists Respond to Nature –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/living-clay-artists-respond-to-nature

March 23, 2019 – April 26, 2020 | Mary Griggs Burke Gallery of Japanese Art (Galleries 251, 252, 253) | Free Exhibition From the golden age of Japanese ceramics at the turn of the 17th century to the avant-garde movements in the postwar era and up to the present day, Japanese ceramicists have sought inspiration in the natural world. This exhibition highlights the work of more than a dozen living Japanese women clay artists whose primarily nonfunctional works represent diverse evocations of or responses to the natural world
Aya, Japanese, born 1989, Physarum, 2017, glazed stoneware, 39 × 35 1/2 × 27 in., Gift

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