Dein Suchergebnis zum Thema: Gift

February 15, 2025 – August 17, 2025 | Robert and Marlyss White Gallery (Gallery 281) | Free Exhibition Jean de La Fontaine (1621–1695) taught children how to live in a dictatorship. His Fables depict a world of talking animals, but the lessons they teach are about power’s abuses and the skills needed to survive. From their first publication in 1668 during the absolutist reign of King Louis XIV, Fables captivated artists, who illustrated scenes from the tales on a variety of surfaces
Gift of Carolyn T. Groves, 2007.12.1.

May 12, 2015 – December 29, 2019 | G328 | Free Mia created the MacFarlane Memorial Room in the mid-1970s to display hand-painted Chinese export wallpapers, made in the late 1700s or early 1800s and given to the museum by Mabel MacFarlane in 1967. The room is usually furnished with Federal-style American furniture, given to the museum by the MacFarlane family, and represents a parlor in the home of a wealthy New England family. For this special installation focusing on the wallpaper, we have removed the furnishings and invite visitors to come inside, sit down, and let their eyes wander over the wallpaper’s many lively scenes of a Chinese New Year festival in a noble family’s garden. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Generous support for this project provided by the MacFarlane Memorial Room Fund of the Minneapolis Foundation. Generous support for Living Rooms provided by the National Endowment for the Arts and donors at the 2014 Mia Gala.
content Chinese, for export Wallpaper, late 1700s or early 1800s Pigments on paper Gift

Gift of funds from Maria Eggemeyer, Maria Wagner Reamer, and Therese M.

Ganesha, 10th-11th century Cambodia Bronze     Gift of Michele and David Dewey

Ganesha, 10th-11th century Cambodia Bronze     Gift of Michele and David Dewey

2011, (detail) crocheted cotton, gold and silver paint, resins, wood, dried fruit, Gift

November 4, 2017 – July 1, 2018 | Gallery 218 | Free Exhibition One of the largest ethnic minorities in China, most Miao people live in the southern provinces of Guizhou, Hunan, and Yunnan. Like many cultures throughout Asia, Miao peoples employ textiles, clothing, and accessories to express their identity
sash), 94.54.3 (apron), 96.91.6a,b (hat) The Ethel Morrison Van Derlip Fund and Gift

March 19, 2015 – May 1, 2016 | G363, G364, G365 | Free Exhibition „100+“ celebrates Mia’s Birthday Year with photographs from every year since the museum’s founding. With more than 12,000 images in the collection of the Department of Photography and New Media, the hard part was choosing one from each year! Some years were easier than others: 1916 offered just five works, while 1993 had 333. The resulting exhibition reveals something wonderfully idiosyncratic: freed from the narrative traditions of photographic history, yet tied to the collecting habits and tastes of Mia curators. But what about the +? The museum’s interest in photography reaches back to 1903, before this building—or Mia itself—even existed
Gift of Daniela Mrázková 100+: A Photograph For Every Year of Mia 100+: A Photograph

April 23, 2022 – December 11, 2022 | Perlman Gallery | Free Exhibition In this striking series of images, visual artist Yee I-Lann creates graphically distinctive photographic assemblages to address the legacies of Dutch colonialism in Indonesia and elsewhere in Southeast Asia. By appropriating historical photographs sourced from colonial archives in the Netherlands, and arranging them with her own photography, the artist provides new grounds for interpreting the visual record of imperialism in Southeast Asia
reflective of one’s own kind, 2013 (printed 2015), Giclée print on Hahnemühle paper, Gift

September 24, 2016 – June 11, 2017 | Galleries 315, 316 | Free Exhibition Die Neuen Wilden (The New Wild Ones) was an informal group of young Neo-Expressionist artists active in Germany from the mid-1970s to the early 1990s. Taking a cue from German Expressionist art of the early 20th century, Neo-Expressionism was bold, raw, brutish, spontaneous, messy, vital, emotional, sensual, antimodern, antiprogressive, and at times nihilistic, denying any meaning in life
Erste Konzentration I” (First Concentration I) portfolio Woodcut​; ​edition of 50 Gift