Dein Suchergebnis zum Thema: Gift

Yee I-Lann: Picturing Power –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/yee-i-lann-picturing-power

April 23, 2022 – December 11, 2022 | Perlman Gallery | Free Exhibition In this striking series of images, visual artist Yee I-Lann creates graphically distinctive photographic assemblages to address the legacies of Dutch colonialism in Indonesia and elsewhere in Southeast Asia. By appropriating historical photographs sourced from colonial archives in the Netherlands, and arranging them with her own photography, the artist provides new grounds for interpreting the visual record of imperialism in Southeast Asia
reflective of one’s own kind, 2013 (printed 2015), Giclée print on Hahnemühle paper, Gift

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Die Neuen Wilden: Neo-Expressionism in Germany –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/die-neuen-wilden-neo-expressionism-in-germany

September 24, 2016 – June 11, 2017 | Galleries 315, 316 | Free Exhibition Die Neuen Wilden (The New Wild Ones) was an informal group of young Neo-Expressionist artists active in Germany from the mid-1970s to the early 1990s. Taking a cue from German Expressionist art of the early 20th century, Neo-Expressionism was bold, raw, brutish, spontaneous, messy, vital, emotional, sensual, antimodern, antiprogressive, and at times nihilistic, denying any meaning in life
Erste Konzentration I” (First Concentration I) portfolio Woodcut​; ​edition of 50 Gift

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Recent Acquisitions: Fiber Art at Mia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/recent-acquisitions-fiber-art-at-mia

December 7, 2019 – October 18, 2020 | Gallery 275 | Free Exhibition Showcased here is a selection of fiber artworks acquired over the past five years by Mia’s Department of Decorative Arts, Textiles, and Sculpture. The term “fiber art” came into being in the years following World War II (1939–45) to describe the work of artists who employed various methods of textile production traditionally recognized as “craft” or “women’s work”: weaving, knitting, crochet, and other techniques
Helena Hernmarck American (born Sweden), born 1941 Moot, 1971 Wool, linen, cotton Gift

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Piotr Szyhalski / Labor Camp – COVID-19: Labor Camp Report –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/piotr-szyhalski-labor-camp-covid-19-labor-camp-report

March 17, 2021 – September 19, 2021 | G370 | Free Exhibition On March 24, 2020, Minneapolis-based artist Piotr Szyhalski embarked on a daily drawing practice, responding to the COVID-19 pandemic as it unfolded in real time. What began as a way for the artist to share observations of life in lockdown and the pain caused by the pandemic, soon became an exercise in chronicling his thoughts and feelings, reconciling them with the changes being wrought in the world. COVID-19: Labor Camp Report consists of 225 drawings created over eight months, with new drawings posted daily on Instagram, a witness to the unfolding crisis and a record of time both labored and lost. Explore Exhibition     Views of Gallery 370 with objects installed for the exhibition „Piotr Szyhalski / Labor Camp – COVID-19: Labor Camp Report“ at Minneapolis Institute of Art.  
Labor Camp, Polish, born 1967, COVID-19: Labor Camp Report, 2020, Digital folio, Gift

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The Archangels Saint Michael and Saint Raphael: A Pair of 18th-Century Silver Sculptures –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-archangels-saint-michael-and-saint-raphael

November 14, 2015 – January 3, 2016 | Cargill Gallery | Free Exhibition A pair of two silver statues by Neapolitan artist Giuseppe Sanmartino (1720–93), donated to the museum by long-time trustees Al and Mary Agnes McQuinn, marks one of the most important additions to Mia’s silver collection. Executed with amazing detail, the statues testify to a devotion to the two Archangels, an act that goes back to the Early Christian period and continues to flourish in Southern Italy (as well as in the Greek and Russian Orthodox churches) to the present day
Silver, gilt bronze Gift of Al and Mary Agnes McQuinn 2015.24.1,2 The Archangels

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Chaos: Ken Matsubara’s Buddhist Masterwork –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/chaos-ken-matsubaras-buddhist-masterwork

September 2, 2023 – April 14, 2024 | Bell Family Decorative Arts Court (Gallery 333) | Free Exhibition Two paintings, 600 years apart: the 14th century Taima Mandala and the 20th century Chaos by Ken Matsubara. Despite the chronological distance between them, these two pieces are connected by Buddhist threads
established by the Mary Livingston Griggs and Mary Griggs Burke Foundation and gift

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Miao Clothing and Jewelry from China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/miao-clothing-and-jewelry-from-china

November 4, 2017 – July 1, 2018 | Gallery 218 | Free Exhibition One of the largest ethnic minorities in China, most Miao people live in the southern provinces of Guizhou, Hunan, and Yunnan. Like many cultures throughout Asia, Miao peoples employ textiles, clothing, and accessories to express their identity
sash), 94.54.3 (apron), 96.91.6a,b (hat) The Ethel Morrison Van Derlip Fund and Gift

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100+: A Photograph For Every Year of Mia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/100-a-photograph-for-every-year-of-the-mia

March 19, 2015 – May 1, 2016 | G363, G364, G365 | Free Exhibition „100+“ celebrates Mia’s Birthday Year with photographs from every year since the museum’s founding. With more than 12,000 images in the collection of the Department of Photography and New Media, the hard part was choosing one from each year! Some years were easier than others: 1916 offered just five works, while 1993 had 333. The resulting exhibition reveals something wonderfully idiosyncratic: freed from the narrative traditions of photographic history, yet tied to the collecting habits and tastes of Mia curators. But what about the +? The museum’s interest in photography reaches back to 1903, before this building—or Mia itself—even existed
Gift of Daniela Mrázková 100+: A Photograph For Every Year of Mia 100+: A Photograph

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Yoshitoshi: Master Draftsman Transformed –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/yoshitoshi-master-draftsman-transformed/

February 1, 2020 – August 9, 2020 | Cargill Gallery | Free Exhibition Tsukioka Yoshitoshi (1839–1892) is considered the last major artist of classical Japanese woodblock prints, known as ukiyo-e. His career spanned Japan’s transformation from feudal backwater to modern nation-state, largely during the Meiji period (1868–1912), when he was the undisputed leader in his field
Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift

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