Dein Suchergebnis zum Thema: Gift

The Enduring Soul –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-enduring-soul

October 26, 2019 – April 4, 2021 | Gallery 375 | Free Exhibition A collaboration of Mia and the Cultural Wellness Center, „The Enduring Soul“ presents artwork by African and African American artists that honors the connection between ancestors and the living, and between what is seen and the invisible. The artworks on view hold historical, personal, and community memory. Mia and the Cultural Wellness Center work to co-create methods for each organization to transform mainstream institutions
Ancient King (detail), 1987, paint on wood, the Ethel Morrison Van Derlip Fund and gift

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Yoshitoshi: Master Draftsman Transformed –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/yoshitoshi-master-draftsman-transformed

February 1, 2020 – August 9, 2020 | Cargill Gallery | Free Exhibition Tsukioka Yoshitoshi (1839–1892) is considered the last major artist of classical Japanese woodblock prints, known as ukiyo-e. His career spanned Japan’s transformation from feudal backwater to modern nation-state, largely during the Meiji period (1868–1912), when he was the undisputed leader in his field
Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift

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The Coated Splendor: Art of Chinese Lacquer (12th-19th centuries) –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-coated-splendor-art-of-chinese-lacquer-12th-19th-centuries

May 31, 2014 – April 19, 2015 | Corridor adjacent to the Wu House in G218 | Free Exhibition An art material since the late Neolithic period (c. 3200–2200 BCE), Chinese lacquer is a natural varnish made from the sap of the lacquer tree that, when exposed to air, forms a plastic coat, resistant to water, acid, or alkaline corrosion
tihong) 4 5/8 x 12 7/16 x 9 1/8 in. (11.7 x 31.6 x 23.2 cm) Origin: China, Asia Gift

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Machines for Living –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/machines-for-living

July 26, 2014 – July 24, 2016 | Wells Fargo CenterDowntown Minneapolis | Free Exhibition We often take electricity for granted, but in the early 20th century, it changed modern life. Most notably, mundane everyday activities took on a new excitement and efficiency through the development of electric appliances. The production of time-saving devices surged from the 1920s to the 1940s, and it was no coincidence that the industrial design profession developed alongside it
designed 1937) Chrome-plated steel, aluminum, vinyl, rubber, plastic, animal hair Gift

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In Dialogue with the Forest: Barkcloth Paintings from Congo –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/in-dialogue-with-the-forest-barkcloth-paintings-from-congo

February 16, 2019 – November 3, 2019 | Gallery 255 | Free Exhibition To make barkcloth, a traditional form of clothing, Mbuti men collect pieces of the inner bark of fig trees, and pound them until they are thin and pliable. Mbuti women decorate the surfaces with intricate designs, using twigs and their fingers to apply dyes made from plant saps and charcoal powder
pigment The Mary Ruth Weisel Endowment for Africa, Oceania, and the Americas and gift

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Science and Sociability in 1700s England –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/science-and-sociability-in-1700s-england

April 22, 2017 – June 10, 2018 | Queen Anne Room and Georgian Room, G326 and 327 | Free Exhibition In 1700s England, the home was a place where genteel men and women studied and conversed about natural history; only later did science move exclusively to the laboratory, where it became a predominantly male profession. This temporary exhibition presents Mia’s British rooms as places for the pursuit of science
Skip to main content Georgian Drawing Room, c. 1740 Pine Gift of Mrs.

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Captive Beauties: Depictions of Women in Late Imperial China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/captive-beauties-depictions-of-women-in-late-imperial-china

December 14, 2019 – November 28, 2021 | Gallery 203 | Free Exhibition Beautiful yet lonely and melancholy—women from imperial China were often depicted in terms of their highly circumscribed lives, which were entirely dependent upon men. In some paintings, women engage in duties appropriate to their stations in life, according to patriarchal Confucian principles
Chinese, 18th century, The Singer Su Xiaoxiao, 1746, Ink and light color on paper, Gift

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