Dein Suchergebnis zum Thema: Gift

July 26, 2014 – July 24, 2016 | Wells Fargo CenterDowntown Minneapolis | Free Exhibition We often take electricity for granted, but in the early 20th century, it changed modern life. Most notably, mundane everyday activities took on a new excitement and efficiency through the development of electric appliances. The production of time-saving devices surged from the 1920s to the 1940s, and it was no coincidence that the industrial design profession developed alongside it
designed 1937) Chrome-plated steel, aluminum, vinyl, rubber, plastic, animal hair Gift

July 19, 2014 – April 19, 2015 | Galleries 315 and 316 | Free Exhibition Artists have long been drawn to the complicated murk of murder, from the biblical and quranic stories of Cain and Abel (the first murderer and first victim), to the horrific deaths of Jesus and early Christian martyrs, to gut-wrenching accounts of modern-day homicide. Murder is inevitably traumatic, a tragic narrative unfolding from the crime to its consequences. It is this story, whether arising from persecution, criminal intent, or a depraved sense of passion, that artists find so intriguing. Today, with murder constantly in the news—if it bleeds, it leads—and saturating our entertainment, from video games to mystery novels, we may be desensitized to its frightening reality
Honoré Daumier French, 1808-1879 Rue Transnonain, le 15 Avril, 1834 Lithograph Gift

Drawing from the collection of the Minneapolis Institute of Art, along with gifts
Kivivirta, Finnish, born 1959, Spoon Tile, 2012, slip cast stoneware, Promised Gift

December 14, 2019 – May 23, 2021 | Gallery 226, 227, 237 | Free Exhibition Originally a painter trained in oil, Hagiwara Hideo (1913–2007) became ill with tuberculosis and turned to printmaking in 1954. From the start his prints were of an abstract nature, and for 50 years he was a constant innovator in his choice of motifs, style, and technique
the series Thirty-six Fuji, 1981-1986, Woodblock print; ink and color on paper, Gift

July 16, 2020 – March 21, 2021 | The Winton Jones Gallery for Prints and Drawings (Gallery 344) | Free Exhibition A main thread in the history of art is the centuries-long conversation between artists. Many paid attention to what others had done or were doing and then responded— sometimes obviously, sometimes not; sometimes approvingly, sometimes not
Ladd Collection, gift of Herschel V.

April 6, 2019 – January 19, 2020 | Gallery 353 | Free Exhibition Pablo Picasso innovated in almost all art media, from painting and sculpture to book arts and printmaking. Mia recently acquired a rare group of prints that show his exploration into a novel printmaking technique: the reduction linocut
Longfellow Fund for Works on Paper, and gift of funds from Barbara S.

October 21, 2017 – July 1, 2018 | Gallery 353 | Free Exhibition George Morrison (1919–2000) was a renowned Anishinaabe modernist from Minnesota whose visionary work was inspired by the natural world, a profound sense of place, and Native American thought and culture. Morrison believed that nature, particularly the sky and water, held a spiritual vitality, a transcendent force that could be experienced through an aesthetic rooted in abstraction and surrealism.  Emotive, personal, intuitive, and organic, Morrison’s approach was also deeply introspective, with Minnesota landscapes and the shoreline of Lake Superior serving as his principal subjects
Portage Anishinaabe), 1919-2000 Untitled, 1994 Colored pencil and ink on paper Gift

August 2, 2025 – April 5, 2026 | G226, 227 | Free Exhibition Yōzō Hamaguchi (1909–2000) was a master of color mezzotints, a technique that allowed printmakers to reproduce complex details of an artwork. Photography had rendered it obsolete by the 1900s, but Hamaguchi revived the technique after encountering it during a stay in Paris in the 1930s
Gift of Charles and Robyn Citrin. 2023.101.8 And More by More They Dream Their Sleep

February 9, 2019 – October 27, 2019 | G221, 222, 223 | Free Exhibition Birds and flowers are popular motifs in all types of Japanese art, but it was in the 1300s that Japanese painters began painting pictures of these subjects in ink alone. Painters took up the brush to create small vignettes of nature in shades of black on paper or silk, inspired by Chinese paintings then being imported to Japan
hanging scrolls; ink on paper, 15 1/16 × 22 3/4 in., Mary Griggs Burke Collection, Gift

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