Dein Suchergebnis zum Thema: Gift

March 18, 2017 – March 18, 2018 | The Sit Gallery (G203) | Free Exhibition Buddhism has been a dominant religious and intellectual force in China since it arrived from India around 100 C.E. Both literati and professional artists created Chinese Buddhist paintings
(1644–1911) Two Versions of Bodhisattva Guanyin, c. 1750 Ink and colors on silk Gift

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February 16, 2019 – November 3, 2019 | Gallery 255 | Free Exhibition To make barkcloth, a traditional form of clothing, Mbuti men collect pieces of the inner bark of fig trees, and pound them until they are thin and pliable. Mbuti women decorate the surfaces with intricate designs, using twigs and their fingers to apply dyes made from plant saps and charcoal powder
pigment The Mary Ruth Weisel Endowment for Africa, Oceania, and the Americas and gift

April 22, 2017 – June 10, 2018 | Queen Anne Room and Georgian Room, G326 and 327 | Free Exhibition In 1700s England, the home was a place where genteel men and women studied and conversed about natural history; only later did science move exclusively to the laboratory, where it became a predominantly male profession. This temporary exhibition presents Mia’s British rooms as places for the pursuit of science
Skip to main content Georgian Drawing Room, c. 1740 Pine Gift of Mrs.

Gift of Mr. and Mrs. W.

December 14, 2019 – November 28, 2021 | Gallery 203 | Free Exhibition Beautiful yet lonely and melancholy—women from imperial China were often depicted in terms of their highly circumscribed lives, which were entirely dependent upon men. In some paintings, women engage in duties appropriate to their stations in life, according to patriarchal Confucian principles
Chinese, 18th century, The Singer Su Xiaoxiao, 1746, Ink and light color on paper, Gift

April 23, 2022 – December 11, 2022 | Perlman Gallery | Free Exhibition In this striking series of images, visual artist Yee I-Lann creates graphically distinctive photographic assemblages to address the legacies of Dutch colonialism in Indonesia and elsewhere in Southeast Asia. By appropriating historical photographs sourced from colonial archives in the Netherlands, and arranging them with her own photography, the artist provides new grounds for interpreting the visual record of imperialism in Southeast Asia
reflective of one’s own kind, 2013 (printed 2015), Giclée print on Hahnemühle paper, Gift

September 24, 2016 – June 11, 2017 | Galleries 315, 316 | Free Exhibition Die Neuen Wilden (The New Wild Ones) was an informal group of young Neo-Expressionist artists active in Germany from the mid-1970s to the early 1990s. Taking a cue from German Expressionist art of the early 20th century, Neo-Expressionism was bold, raw, brutish, spontaneous, messy, vital, emotional, sensual, antimodern, antiprogressive, and at times nihilistic, denying any meaning in life
Erste Konzentration I” (First Concentration I) portfolio Woodcut​; ​edition of 50 Gift

December 7, 2019 – October 18, 2020 | Gallery 275 | Free Exhibition Showcased here is a selection of fiber artworks acquired over the past five years by Mia’s Department of Decorative Arts, Textiles, and Sculpture. The term “fiber art” came into being in the years following World War II (1939–45) to describe the work of artists who employed various methods of textile production traditionally recognized as “craft” or “women’s work”: weaving, knitting, crochet, and other techniques
Helena Hernmarck American (born Sweden), born 1941 Moot, 1971 Wool, linen, cotton Gift

March 17, 2021 – September 19, 2021 | G370 | Free Exhibition On March 24, 2020, Minneapolis-based artist Piotr Szyhalski embarked on a daily drawing practice, responding to the COVID-19 pandemic as it unfolded in real time. What began as a way for the artist to share observations of life in lockdown and the pain caused by the pandemic, soon became an exercise in chronicling his thoughts and feelings, reconciling them with the changes being wrought in the world. COVID-19: Labor Camp Report consists of 225 drawings created over eight months, with new drawings posted daily on Instagram, a witness to the unfolding crisis and a record of time both labored and lost. Explore Exhibition     Views of Gallery 370 with objects installed for the exhibition „Piotr Szyhalski / Labor Camp – COVID-19: Labor Camp Report“ at Minneapolis Institute of Art.  
Labor Camp, Polish, born 1967, COVID-19: Labor Camp Report, 2020, Digital folio, Gift