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A Collector’s Odyssey: Books and Prints from the William P. Kosmas Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-collectors-odyssey-books-prints-from-the-william-p-kosmas-collection

July 25, 2020 – June 27, 2021 | Gallery 315 and Gallery 316 | Free Exhibition Born and raised in Minneapolis, William Peter Kosmas (1940–2017) was a London-based attorney who devoted his practice to representing and advising contemporary artists, writers, and performers. Kosmas’s professional specialties dovetailed with his lifelong passion for collecting artists’ books and works on paper, resulting in an extensive personal collection of modern and contemporary art that was recently donated to Mia by the Kosmas estate
together with hand-painted cast plaster relief sculpture; deluxe edition of 8, Gift

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Wandering With Dutch Artists –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/wandering-with-dutch-artists

December 16, 2023 – June 2, 2024 | Winton Jones Gallery (Gallery 344) | Free Exhibition Many Dutch artists of the 1600s left their studios to wander the world around them. They roamed their local streets, passed through the city gates, and walked down to the sea or out into the countryside
Programs Support About Shop Jan van de Velde, Chapel near a pond, 1615, etching, Gift

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Uncanny Blossoming –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/uncanny-blossoming

March 16, 2019 – July 28, 2019 | Gallery 368 | Free Exhibition Since its inception, photography has expanded our understanding of the world’s flora. Images of plant life have helped generations of scientists, artists, and activists define the parameters of the natural world, celebrate its beauty, and advance policies for its protection
Alec William Soth American, born 1969 Venice, Louisiana, 2002 Chromogenic print Gift

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Counter/Culture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/counter-culture

June 22, 2024 – November 17, 2024 | Perlman Gallery | Free Exhibition The most frequented places are often among the least noticed–including the humble counter. In restaurants, kitchens, and stores, counters are sites of preparation, display, communication, and more
born 1940), Two Can Openers, Kitchen, Pound Ridge, NY, 1978, gelatin silver print, Gift

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Life at the Edge of Empire: North America, c. 1760–1812 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/life-at-the-edge-of-empire-north-america-c-1760-1812

February 1, 2019 – November 29, 2020 | Charleston Dining Room and Charleston Drawing Room, G336 and 337 | Free Exhibition For North Americans living in the late 1700s and early 1800s—whether free or enslaved, Native American, or of African or European descent—a common set of historical forces impacted life, albeit in very different ways. The experiences of territorial conflict, international diplomacy, trade, and shifting national identities are explored through the artworks and furnishings installed in the 1772 Charleston Dining and Drawing Rooms, from the home of John Stuart, the superintendent of Indian Affairs for Britain’s southern colonies in North America. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Mia gratefully acknowledges the support and contributions of the many individuals and communities whose histories are told in this exhibition. Generous support provided by the National Endowment for the Arts and donors at the 2014 Mia Gala. Additional support provided by the Chipstone Foundation.
Programs Support About Shop Charleston Drawing Room, 1772, cypress, paint, gift

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George Morrison in Focus –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-in-focus

October 21, 2017 – July 1, 2018 | Gallery 375 | Free Exhibition George Morrison (1919–2000) constantly explored new ways to translate nature and personal experience. Born near Grand Marais, Minnesota, Morrison trained in Minneapolis before moving to New York in 1943
Morrison American (Grand Portage Anishinaabe), 1919-2000 Untitled, 1960 Oil on canvas Gift

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Artists Reflect: Contemporary Views on the American War –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/artists-reflect-contemporary-views-on-the-american-war

September 29, 2019 – January 5, 2020 | Target Gallery | General Admission $20; My Mia Member $16; Investor+ Free; Youth 17 and Under Free Tickets on sale now. General Admission $20 My Mia Member $16 Investor+ Free Youth 17 and Under Free Mia’s companion exhibition to „Artists Respond: American Art and the Vietnam War, 1965-1975“ features drawings, textiles, video, photography, and installations made by artists from the Southeast Asian diaspora who have been deeply engaged with the impact and legacy of the American War in Vietnam. The artists reflect on migration, memory, the effect of violence on the landscape and on communities, healing, and trauma. The Twin Cities is home to a large Southeast Asian population, many of whom arrived in the wake of the war
, 1972, 22, From the 50-panel series Hmong Migration, 1993-2001, Oil on canvas, Gift

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Artists Reflect: Contemporary Views on the American War –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/artists-reflect-contemporary-views-on-the-american-war/

September 29, 2019 – January 5, 2020 | Target Gallery | General Admission $20; My Mia Member $16; Investor+ Free; Youth 17 and Under Free Tickets on sale now. General Admission $20 My Mia Member $16 Investor+ Free Youth 17 and Under Free Mia’s companion exhibition to „Artists Respond: American Art and the Vietnam War, 1965-1975“ features drawings, textiles, video, photography, and installations made by artists from the Southeast Asian diaspora who have been deeply engaged with the impact and legacy of the American War in Vietnam. The artists reflect on migration, memory, the effect of violence on the landscape and on communities, healing, and trauma. The Twin Cities is home to a large Southeast Asian population, many of whom arrived in the wake of the war
, 1972, 22, From the 50-panel series Hmong Migration, 1993-2001, Oil on canvas, Gift

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Fly Zine Archive: A Chronicle of Punk, Queer, and Anarchist Counterculture –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-fly-zine-archive-a-chronicle-of-punk-queer-and-anarchist-counterculture

July 16, 2021 – April 24, 2022 | Gallery 315 | Free Exhibition This exhibition introduces Mia’s groundbreaking acquisition of the Fly Zine Archive, a thematically focused collection of nearly 2,000 zines, comics, and underground publications by a diverse range of punk, anarchist, feminist, and LGBTQ+ artists and writers active in the United States, Europe, and elsewhere. Compiled by the New York–based artist and activist Fly NYC, the archive chronicles the graphic art and printed ephemera connecting the alternative subcultures that flourished in urban centers in the 1980s, 1990s, and early 2000s
bound volume, Fly Zine Archive, The Mary and Robyn Campbell Fund for Art Books and gift

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