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Under the Influence: Early Works by Frank Gaard –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/under-the-influence-early-works-by-frank-gaard/

August 22, 2020 – November 29, 2020 | Cargill Gallery | Free Exhibition Often controversial, never boring, Frank Gaard is known for his cartoonish depictions of everyday life. This exhibition pulls out never-before-seen sketches and prints, alongside works from Mia’s collection
About Shop Frank Gaard, Untitled (For John and Alice), 1975, acrylic on canvas, gift

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The Art of High Style: Minnesota Couture 1880–1914 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-art-of-high-style-minnesota-couture-1880-1914

May 16, 2019 – August 4, 2019 | Cargill Gallery | Free Exhibition Explore Minnesota’s little-known historic couture fashion industry and learn about the female artisans who led it. Minneapolis and St
Koehler American, 1850-1917 Rainy Evening on Hennepin Avenue, c. 1902 Oil on canvas Gift

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George Morrison: Drawings and Small Paintings –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/george-morrison-drawings-and-small-paintings/

October 21, 2017 – July 1, 2018 | Gallery 353 | Free Exhibition George Morrison (1919–2000) was a renowned Anishinaabe modernist from Minnesota whose visionary work was inspired by the natural world, a profound sense of place, and Native American thought and culture. Morrison believed that nature, particularly the sky and water, held a spiritual vitality, a transcendent force that could be experienced through an aesthetic rooted in abstraction and surrealism.  Emotive, personal, intuitive, and organic, Morrison’s approach was also deeply introspective, with Minnesota landscapes and the shoreline of Lake Superior serving as his principal subjects
Portage Anishinaabe), 1919-2000 Untitled, 1994 Colored pencil and ink on paper Gift

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The Many Voices of Colonial America –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-many-voices-of-colonial-america

April 22, 2017 – June 17, 2018 | Charleston Dining Room and Charleston Drawing Room, G336 and 337 | Free Exhibition The Charleston Dining and Drawing Rooms came from the 1772 home of Col. John Stuart, who served as Superintendent of Indian Affairs for Britain’s southern colonies and was also an owner of enslaved Africans
Visit Programs Support About Shop Charleston Drawing Room, 1772 Cypress, paint Gift

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A Collector’s Odyssey: Books and Prints from the William P. Kosmas Collection –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/a-collectors-odyssey-books-prints-from-the-william-p-kosmas-collection

July 25, 2020 – June 27, 2021 | Gallery 315 and Gallery 316 | Free Exhibition Born and raised in Minneapolis, William Peter Kosmas (1940–2017) was a London-based attorney who devoted his practice to representing and advising contemporary artists, writers, and performers. Kosmas’s professional specialties dovetailed with his lifelong passion for collecting artists’ books and works on paper, resulting in an extensive personal collection of modern and contemporary art that was recently donated to Mia by the Kosmas estate
together with hand-painted cast plaster relief sculpture; deluxe edition of 8, Gift

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Life at the Edge of Empire: North America, c. 1760–1812 –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/life-at-the-edge-of-empire-north-america-c-1760-1812

February 1, 2019 – November 29, 2020 | Charleston Dining Room and Charleston Drawing Room, G336 and 337 | Free Exhibition For North Americans living in the late 1700s and early 1800s—whether free or enslaved, Native American, or of African or European descent—a common set of historical forces impacted life, albeit in very different ways. The experiences of territorial conflict, international diplomacy, trade, and shifting national identities are explored through the artworks and furnishings installed in the 1772 Charleston Dining and Drawing Rooms, from the home of John Stuart, the superintendent of Indian Affairs for Britain’s southern colonies in North America. This project is part of Living Rooms, an initiative to present Mia’s historic interiors and decorative arts collections in new ways. Mia gratefully acknowledges the support and contributions of the many individuals and communities whose histories are told in this exhibition. Generous support provided by the National Endowment for the Arts and donors at the 2014 Mia Gala. Additional support provided by the Chipstone Foundation.
Programs Support About Shop Charleston Drawing Room, 1772, cypress, paint, gift

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