Agnolo Gaddi | National Gallery of Art https://www.nga.gov/artists/1327-agnolo-gaddi
Grandson of the painter Gaddo di Zanobi, and son of Taddeo Gaddi — disciple of Giotto and one of the leading exponents of Florentine painting in the mid-fourteenth century — Agnolo probably was trained in his father’s shop, and by 1369 he must already have emerged as a recognized master in his own right. In that year he received payments together with a group of artists including Giovanni da Milano, Giottino, and his own brother Giovanni (also a painter but one whose works have not survived) for the now lost decoration in the palace of Pope Urban V in the Vatican.[1] His earliest works, including the triptych dated 1375 now in the Galleria Nazionale in Parma and the fresco fragments in the former monastery of San Domenico del Maglio in Florence, executed according to the documents in 1376,[2] are characterized by harsh color and rather crowded compositions;
di Taddeo da Firenze, mio maestro, il quale imparò la detta arte da Taddeo suo padre; il suo padre fu
