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Agnolo Gaddi | National Gallery of Art

https://www.nga.gov/artists/1327-agnolo-gaddi

Grandson of the painter Gaddo di Zanobi, and son of Taddeo Gaddi — disciple of Giotto and one of the leading exponents of Florentine painting in the mid-fourteenth century — Agnolo probably was trained in his father’s shop, and by 1369 he must already have emerged as a recognized master in his own right. In that year he received payments together with a group of artists including Giovanni da Milano, Giottino, and his own brother Giovanni (also a painter but one whose works have not survived) for the now lost decoration in the palace of Pope Urban V in the Vatican.[1] His earliest works, including the triptych dated 1375 now in the Galleria Nazionale in Parma and the fresco fragments in the former monastery of San Domenico del Maglio in Florence, executed according to the documents in 1376,[2] are characterized by harsh color and rather crowded compositions;
, mio maestro, il quale imparò la detta arte da Taddeo suo padre; il suo padre fu

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Cardinal Bandinello Sauli, His Secretary, and Two Geographers by Sebastiano del Piombo

https://www.nga.gov/artworks/46136-cardinal-bandinello-sauli-his-secretary-and-two-geographers

One of the earliest Italian group portraits, this painting depicts Cardinal Bandinello Sauli and three companions gathered around a table covered with a Turkish carpet. Set within a narrow space closed off by a rich green wall hanging, the figures appear to have been discussing the geography manuscript lying open before them.
Artwork history & notes Artwork History Provenance Palazzo Giacomo Balbi del fu

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The Coronation of the Virgin by Master of the Washington Coronation

https://www.nga.gov/artworks/41702-coronation-virgin

This Coronation of the Virgin may be the first time the subject, which originated in the West, appears in Venetian art. Some of the earliest representations were carved above cathedral doorways in France—and certain elements in the Gallery’s painting—its elaborate halos, for example—share in the decorative elegance of Gothic art.
Nonetheless, the catalogue of the sculptor’s estate sale, Collezione del fu Comm

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