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Madonna and Child by Giotto

https://www.nga.gov/artworks/397-madonna-and-child

Giotto ’s explorations and innovations in art during the early 14th century developed, a full century later, into the Italian Renaissance. Besides making panel paintings, he executed many fresco cycles—the most famous at the Arena Chapel, Padua—and he also worked as an architect and sculptor.
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The Baptism of Christ by Nicolas Poussin

https://www.nga.gov/artworks/32692-baptism-christ

Although Nicolas Poussin’s work exerted an enormous influence on the development of French seventeenth-century painting, the artist perfected his style in Rome, incorporating the lessons of Renaissance and contemporary Italian painters into his own idiom. Poussin’s Baptism of Christ is one of a series of canvases illustrating the Seven Sacraments executed from 1638-1642 for his friend and patron Cassiano dal Pozzo.
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The Baptism of Christ by Giovanni Baronzio

https://www.nga.gov/artworks/272-baptism-christ

This panel, along with The Birth, Naming, and Circumcision of Saint John the Baptist , and Madonna and Child with Five Angels were once part of the same altarpiece devoted to Saint John the Baptist (see Reconstruction ). The altarpiece’s original location is not known, though it was probably featured in a church dedicated to the saint in what is today the northern Italian region of Emilia-Romagna, close to Giovanni Baronzio ’s home in Rimini.
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Mary, Queen of Heaven by Master of the Saint Lucy Legend

https://www.nga.gov/artworks/41595-mary-queen-heaven

This unusually large panel painting depicts three facets of Marian iconography: the Virgin’s corporeal assumption, the Immaculate Conception—the crescent moon and the radiance behind her identify Mary as the Woman of the Apocalyse, mentioned in Revelation 12:I—and the Coronation of the Virgin.
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