Imperative by Lee Krasner https://www.nga.gov/artworks/72298-imperative
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The Defense Trilogy reimagines Dante’s Divine Comedy within the hypermodern labyrinth of Paris’s business district, La Défense. The trilogy explores the violence of a system built on surveillance and alienation, while celebrating fleeting moments of tenderness and rebellion.
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The Defense Trilogy reimagines Dante’s Divine Comedy within the hypermodern labyrinth of Paris’s business district, La Défense. The trilogy explores the violence of a system built on surveillance and alienation, while celebrating fleeting moments of tenderness and rebellion.
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This large panel painting by a follower of Robert Campin combines the new interest in nature of the fifteenth-century Netherlandish artists with a long tradition of symbolic religious painting. There is a thoroughly believable quality about the heavy folds of drapery, the delicate leaves of the flowers, and the shallow space within the garden walls.
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One of Domenico Veneziano’s major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John’s act of exchanging his rich, worldly clothes for a rough, camel–hair coat.
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