Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
Frankfurt am Main, 1851, p. 8, no. 36, pl. 36 (engraving by Muxel) [English ed.,
This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
In the main panels are Saints Bernard and Sylvester.
Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
impetus behind Antonello’s innovation would thus seem to be his contact with main
BowlFew works of Islamic stained glass are as impressive as this bowl. Reconstructed from many fragments, it is almost complete, with a few minor losses. Its decoration can therefore be fully appreciated, unlike that of the great majority of similarly ornamented objects, which are fragile, thin-walled, and almost colorless
Geburtstag am 26.10.1957, edited by Richard Ettinghausen, pp. 139–43.
Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Frankfurt am Main: Vittorio Klostermann, 1952. p. 401.
Harrogate, England, 1906—London, 1988, and Paris, 1916—Paris, 1995
Skip to main content Sir Edward George Warris and Lady Nika (née Princess Nika
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Colmar, le Maître de Flémalle et la Florentine du musée de Francfort-sur-le-Main
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Colmar, le Maître de Flémalle et la Florentine du musée de Francfort-sur-le-Main
This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
.; main part Colección Santander Central Hispano, Madrid; 294 x 209 cm.).
[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Frankfurt am Main, 1999, pp. 26–27, 53, 101, fig. 5.
