Paris, 1893–Paris, 1945
differences reached a head during the Spanish Civil War, when Drieu took the side of Francisco
Sagua La Grande, Cuba, 1902−Paris, 1982
he joined the Republican forces in the fight against the Fascist regime led by Francisco
In addition to their radical technique, the bright colors of Impressionist canvases were shocking for eyes accustomed to the more sober colors of Academic painting.
Also contributing to its new look was the Siege of Paris during the Franco-Prussian
Milan, 1903–Milan, 1977
Introduction and catalogue by Franco Russoli.
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
San Francisco: San Francisco Museum of Art, 1922. no. 1, pp. 25–26.
Neuwied, Germany, 1885‒Pau, Pyrénées-Atlantiques, France, 1940
Durutti Column, an anarchist military unit fighting against Fascist forces led by Francisco
[Pablo Picasso’s] prolific output includes over 20,000 paintings, prints, drawings, sculptures, ceramics, theater sets and costumes that convey myriad intellectual, political, social, and amorous messages. His creative styles transcend realism and abstraction, Cubism, Neoclassicism, Surrealism, and Expressionism.
Pablo Picasso 1929 Reading at a Table Pablo Picasso 1934 The Dream and Lie of Franco
[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Franco Russoli and Fiorella Minervino. L’opera completa di Picasso cubista.
Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
century, some of which were engraved"; also connects them with the sixteenth-century Franco-Flemish
left-leaning groups (Republicans) and the right-wing Nationalists led by General Francisco
