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Joseph Mallord William Turner – Venice, from the Porch of Madonna della Salute – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437853

Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
Art-Union 9 (July 1, 1847), p. 253. John Ruskin.

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Gothic Revival Library | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/gothic-revival-library

This library comes from a red-brick Gothic Revival villa built for banker Frederick Deming (1787–1860) and his family in the hamlet of Balmville, New York. The house is a classic example of the Gothic Revival style in domestic architecture and the room is arranged to illustrate how an upper-middle-class family might have furnished their library.
Equitable Insurance Company, and in 1840 he was elected as the president of the Union

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James M. Saslow on Sensuality and Spirituality in Michelangelo’s Poetry – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/james-saslow-interview-michelangelo-poetry

Research Assistant Jeffrey Fraiman sits down with scholar James M. Saslow to discuss Michelangelo’s practice as a poet, the meaning of his gift drawings, and the study of the artist’s homoeroticism since his death in 1564.
Michelangelo was always torn between the desire for passionate union with another

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Margareta Haverman – A Vase of Flowers – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436634?exhibitionId=%7Bf09f2f10-eee2-4ecb-8e2a-c6c9669ba1b2%7D&%3Boid=436634&%3Bpkgids=512

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
Union League Club.

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‚Ali ibn Muhammad al-Barmaki – Mosque Lamp of Amir Qawsun – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/447006

Mosque LampLarge and impressive glass lamps such as this one in the shape of footed vases with enameled decoration and suspension rings attached around their body were commissioned by sultans and members of their court for mosques, madrasas (Qur’anic schools), tombs, hospices, and other public buildings in 14th-century Mamluk Cairo
light was my splendor.[9] The lighting of the niche thus becomes a metaphor for the union

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