Meintest du epochen?
Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
The Painting: A man with a mustache and closed eyes is depicted in profile from the waist up, lying in a bed. He wears what appears to be a sort of turban and open white shirt, with the weight of his head and elbows forming a deep lozenge-shaped impression in the ample pillow and bedding
Sacrifice and glory were lauded as signal virtues of this epoch, as represented by
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
The Painting: In 1873, the great opera baritone Jean-Baptiste Faure commissioned from Degas a picture depicting ballerinas of the Opera ballet corps at an examination or dance class (Pantazzi 1988)
"The Impressionist Epoch," December 12, 1974–February 10, 1975, no. 17 (as "The
Circus Sideshow and Seurat’s Career: Circus Sideshow is one of only six major figure paintings Seurat created during his short but influential career. Born and raised in Paris as the son of a customs official, he pursued classical art training, including at least three years at the École des Beaux-Arts, and spent a year (1879–80) in military service in Brest before establishing himself as a professional artist in France’s capital city
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
