Meintest du epochen?
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
unquestioned faith and reasoned skepticism; Rococo fantasy and classical purity—an epoch
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Philip Conisbee in Portraits by Ingres: Image of an Epoch. Ed.
Rejecting the idealized classicism of academic art and the exotic themes of Romanticism, Realism was based on direct observation of the modern world.
goal as an artist “to translate the customs, the ideas, the appearance of my epoch
Art without Epoch. New York: Oxford University Press, fig. 40. 1938.
The Middle Kingdom (mid-Dynasty 11–Dynasty 13, ca. 2030–1640 B.C.) began when Nebhepetre Mentuhotep II reunited Upper and Lower Egypt, setting the stage for a second great flowering of Egyptian culture.
part of the reason the Middle Kingdom was viewed in subsequent eras as an ideal epoch
"The Impressionist Epoch," December 12, 1974–February 10, 1975, no. 15.
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
The son of a London barber and wigmaker, Turner dominated English landscape and marine painting in the first half of the nineteenth century. He studied in the Royal Academy schools from 1789 and first showed a painting at the Royal Academy exhibition in 1796; he was elected an academician in 1802 and continued to exhibit until 1850
Turner Studies: His Art & Epoch 1775–1851 7 (Summer 1987), p. 38.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
exhibition From Van Eyck to Bruegel this book presents an overview of one of the great epochs
[probably Ambroise Vollard, Paris, by 1895–until 1896; stock book B, no. 3451, as „maisons étagées,“ sold on February 27, 1896 to Costa]; probably count Enrico Costa (from 1896); [Ambroise Vollard, Paris, 1904/6–until 1924; sold on February 12, 1924 to Thannhauser]; [Justin K
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue
