Dein Suchergebnis zum Thema: Epoche

Art without Epoch. New York: Oxford University Press, fig. 40. 1938.

"The Impressionist Epoch," December 12, 1974–February 10, 1975, no. 15.

"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue

The son of a London barber and wigmaker, Turner dominated English landscape and marine painting in the first half of the nineteenth century. He studied in the Royal Academy schools from 1789 and first showed a painting at the Royal Academy exhibition in 1796; he was elected an academician in 1802 and continued to exhibit until 1850
Turner Studies: His Art & Epoch 1775–1851 7 (Summer 1987), p. 38.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
exhibition From Van Eyck to Bruegel this book presents an overview of one of the great epochs

[probably Ambroise Vollard, Paris, by 1895–until 1896; stock book B, no. 3451, as „maisons étagées,“ sold on February 27, 1896 to Costa]; probably count Enrico Costa (from 1896); [Ambroise Vollard, Paris, 1904/6–until 1924; sold on February 12, 1924 to Thannhauser]; [Justin K
"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue

"The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue

The Painting: A man with a mustache and closed eyes is depicted in profile from the waist up, lying in a bed. He wears what appears to be a sort of turban and open white shirt, with the weight of his head and elbows forming a deep lozenge-shaped impression in the ample pillow and bedding
Sacrifice and glory were lauded as signal virtues of this epoch, as represented by

The Artist: Jules Bastien-Lepage lived for only thirty-six years, but he made a large impact on the French art world of the second half of the nineteenth century (see fig. 1 above, and Augustus Saint-Gaudens’s medallion made in tribute to him, The Met, "The Impressionist Epoch," December 12, 1974–February 10, 1975, not in catalogue

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
In Stil und Ãœberlieferung in der Kunst des Abendlandes: Volume 1, Epochen europÃ