Hermann Hauser – Guitar – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503282
until 1962, and referred to it in a 1954 article as the "greatest guitar of our epoch
Meintest du epochen?
until 1962, and referred to it in a 1954 article as the "greatest guitar of our epoch
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
They give a breathtaking picture of a turbulent and exciting epoch, which was at
Semi-nude women, languid youths, and lovers soon came to replace the heroes of the Shahnama and the Khamsa in many an artist’s repertoire.
Royal Persian Paintings: The Qajar Epoch, 1785–1925. Exhibition catalogue.
Art without Epoch. New York: Oxford University Press, fig. 10.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Italian art was beginning to reflect a reawakening of the classical spirit—an epoch
A pair of clappers could be played either with both hands or with just one. That this pair was played one-handed is indicated by the holes near the rounded ends, which show slight traces of wear caused by rubbing from an attached string
Proceedings of the International Conference of the EPOCHS Project held 18th-20th
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
unquestioned faith and reasoned skepticism; Rococo fantasy and classical purity—an epoch
"New Data on the Huari Empire in Middle Horizon Epoch 2A."
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Philip Conisbee in Portraits by Ingres: Image of an Epoch. Ed.
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Philip Conisbee in Portraits by Ingres: Image of an Epoch. Ed.