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This Coronation of the Virgin may be the first time the subject, which originated in the West, appears in Venetian art. Some of the earliest representations were carved above cathedral doorways in France—and certain elements in the Gallery’s painting—its elaborate halos, for example—share in the decorative elegance of Gothic art.
[3] The Agnew records (kindly confirmed by Venetia Constantine of Agnew’s, e–mail

Edwin Landseer was only 18 when he painted this powerful work showing a rescue in the Great Saint Bernard Pass in the Alps. Two dogs have found an unconscious man partially buried by snow.
confirmed by Lynda McLeod, Christie’s Archives Associate Director and Librarian, in her e–mail

unter der Nummer +1 (202) 842-6905 (Montag – Freitag von 10 bis 17 Uhr) oder per E–Mail

was kindly supplied by Marijke Booth of Christie’s Archive Department, London (e–mail

Simon “the Zealot� is one of Jesus’s apostles in the first three Gospels (Matthew, Mark, and Luke), but otherwise Simon is an elusive figure. Legend says that he was martyred by being sawn apart, but there is no saw to indicate his martyrdom in this half-length portrait.
See Laurence Kanter’s e–mail of 6 May 2011, about ownership of the Lehman collection

Simone Martini depicts Saint Matthew holding a book, quill pen, and inkpot in the process of writing his Gospel. This panel, along with nine others of apostles, including three in the National Gallery of Art’s collection depicting Simon , James Major , and Thaddeus , were once part of the same altarpiece.
See Laurence Kanter’s e–mail of 6 May 2011, about ownership of the Lehman collection

Toward the end of his early Leiden period, Jan Lievens created a series of tronies, or head studies, of older men and women. Even though he based them on the features of live models, these tronies were character studies rather than formal portraits.
[2] Otto Nauman, e–mail to Jennifer Henel, 30 August 2011, in NGA curatorial files

Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
latter courtesy in 2002 of Edye Weissler, Knoedler archivist and librarian (see the e–mail

Lewis Larned Coburn, née Annie Swan [1856-1932], Chicago, by 1929;[4] by bequest

Saint Judas Thaddeus once decorated the predella of an altarpiece along with nine other small portraits of apostles, three of which are in the collection of the National Gallery of Art: Matthew , Simon , and James Major .
See Laurence Kanter’s e–mail of 6 May 2011, about ownership of the Lehman collection