Dein Suchergebnis zum Thema: Depression

„Art in the Great Depression.“

The Robert and Gloria Manney Greek Revival Parlor is a re-creation of what the parlor of a fashionable New York City townhouse of about 1835 might have looked like. The room was designed to showcase a rare suite of seating furniture made for New York lawyer Samuel A. Foot (1790–1878) by the firm of cabinetmaker Duncan Phyfe (1770–1854).
The year 1837 also brought a major financial panic and the beginning of a depression

Beyond superfoods and infomercials.
DUNGY: Making paint is like making pasta, a mound of flour or pigment, and a depression

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Designed by Callot Soeurs at the dawn of the Great Depression, it is devoid of lavish

Threads of identity.
As part of a Great Depression intervention, the federal government purchased ten

This illustrated essay describes the evolution of the display of Islamic art at the Met—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.
James Ballard Despite the economic depression, the 1930s were productive years for

Following renovation, 500 sub-Saharan African works highlight major movements—one-fourth on view for the first time—spanning the Middle Ages to today.
currency relating to ancestral Luba burials, have been unearthed in the Upemba Depression

Depression and the Spiritual in Modern Art: Homage to Miró. Ed. Joseph J.

The Artist: Dieric Bouts was initially mentioned by Lodovico Guicciardini as “Dirick d’Haarlem� in his Descrittione di tutti i Paesi Bassi, altrimenti detti Germania inferiore.[1] According to Karel van Mander, whose Schilder-boeck of 1604 described the life and works of 250 European painters of the fifteenth and sixteenth centuries, Dieric Bouts was one of the founders of the Haarlem School of painting
special attention given to the tactile qualities of plump fingers, knuckles, and depressions

[By 1932, known on the art market]; [1940, purchased by Joseph Brummer from Arthur Upham Pope (Brummer inv. no. N4513)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
usually referred to by the Greek term omphalos, surrounded by fourteen tongue-shaped depressions