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La Grotte de la Loue by Gustave Courbet

https://www.nga.gov/artworks/43681-la-grotte-de-la-loue

Courbet painted events and scenery primarily from his native Ornans, a village in the remote Franche-Comté region. A proponent of realism, he challenged traditional ideas about art by depicting simple peasants and rustic scenery with dignity and on the grandscale usually reserved for history paintings.
(Not in 1995 rev. ed.). 1997 Laurillard-Cuinet, Hélène.

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Forty-two Kids by George Bellows

https://www.nga.gov/artworks/134485-forty-two-kids

Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
International Studio 56, no. 224 (October 1915): 244, 246, repro. 1918 Pène du

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The Coronation of the Virgin by Master of the Washington Coronation

https://www.nga.gov/artworks/41702-coronation-virgin

This Coronation of the Virgin may be the first time the subject, which originated in the West, appears in Venetian art. Some of the earliest representations were carved above cathedral doorways in France—and certain elements in the Gallery’s painting—its elaborate halos, for example—share in the decorative elegance of Gothic art.
Papastavrou, Hélène.

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