noire pour révéler un fond de couleur peint au préalable, Dubuffet crée la vue d‚une
pour faire apparaître les couches de peinture sous-jacentes et créer cette scène
Peter Paul Rubens (1577–1640) was one of the greatest masters of the 17th century and a man of great integrity, probity, and discretion. The growth of his international artistic reputation was paralleled by his increased involvement in European politics.
1971.18.1 Artwork history & notes Artwork History Provenance Possibly Hélène
notes Artwork History Provenance Probably Bernardo Bembo, Venice or Verona [d.
A note of ambiguity or unease often gives a piquant quality to German adaptations of the Renaissance ideal. Cranach’s painting of a classical nymph represents an Italian theme but gives it a moralizing twist common to late Gothic courtly and amorous subjects.
rectangular plaque in the upper left corner reads, “FONTIS NYMPHA SACRI SOM NVM NE
talented contemporaries and classmates George Bellows, Edward Hopper, and Guy Pène
Dürer was born in Nuremberg and received a typical medieval training from his goldsmith father and from the Nuremberg painter Michael Wolgemut. Yet he was one of the major transmitters of the ideas of the Italian Renaissance to artists in the North.
Probably a member of the Haller family, Nuremberg.[1] Possibly Paul von Praun [d.
Discover works by Henri Rouart and learn about the artist
Edgar Degas, Hélène Rouart in her Father’s Study Exh. Cat.
View Tour Stop On View East Building Upper Level, Gallery 407-D Artwork overview
15 November 1791, no. 95, with Winter).[1] Roehn, Paris.[2] Charles Wertheimer [d.
This painting is an outstanding example of the abstract elegance characteristic of Rogier’s late portraits. Although the identity of the sitter is unknown, her air of self–conscious dignity suggests that she is a member of the nobility.
Artwork History Provenance Probably Leopold Friedrich Franz, Prince of Anhalt [d.
