Dein Suchergebnis zum Thema: D������ne

This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
“400, 426–429, 430–435; Leonardo da Vinci’s Sforza Monument Horse, ed. by D.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
to home, they most admired the works of Jean Auguste Dominique Ingres and Eugène

Phéniciens de Tyr à Carthage, exh. cat. edited by Elisabeth Fontan and Hélène

In this interview, exhibition curator Kiki Karoglou shares provocative insights into the contemporary relevance of mythological hybrid beings and offers a behind-the-scenes look into the making of the exhibition.
The Metropolitan Museum of Art, New York, Samuel D.

The Artist: Ambrosius Benson is most noted as a North Italian painter who went to study and work in Bruges. As a result, his works are a unique conflation of Netherlandish and Italian Renaissance styles
Roger van Schoute and Hélène Verougstraete.

Circus Sideshow and Seurat’s Career: Circus Sideshow is one of only six major figure paintings Seurat created during his short but influential career. Born and raised in Paris as the son of a customs official, he pursued classical art training, including at least three years at the École des Beaux-Arts, and spent a year (1879–80) in military service in Brest before establishing himself as a professional artist in France’s capital city
[Laura D.

(lower right): VENTE / COROT the artist, Paris (until d. 1875; his sale, Hôtel

Clark, New York (1933–d. 1960) Dresden. Kunst Salon Ernst Arnold.

This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
2011; adapted from Christiansen et al. 2003] the artist, El Greco, Toledo (until d.

dealer’s (André Parrot and Jean Nougayrol, "Un document de fondation Hurrite", Revue d‚Assyriologie – et d‚archéologie Orientale, XLII, 1948, p. 2); acquired by the Museum in 1948, purchased
Near Eastern Antiquities in Dialogue, edited by Ariane Thomas and Hélène Le Meaux