Dein Suchergebnis zum Thema: D������ne

No.6 L’avant-garde dans son défaite brise les cruches, dont il ne sort que toutes

Havemeyer, New York (1898–his d. 1907); Mrs. H. O. (Louisine W.)

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
La scène des deux carrosses Claude Gillot ca. 1712–16 Figures in Theatrical

1945, purchased by Joseph Brummer from Vladimir Gregorievitch Simkhovitch (Brummer inv. no. N6450); purchased by Hagop Kevorkian at the auction sale of the Estate of the late Joseph Brummer, Parke-Bernet Galleries, New York, May 11-14, 1949, lot 134; acquired by the Museum in 1955, purchased from The Kevorkian Foundation, New York
Phéniciens de Tyr à Carthage, exh. cat. edited by Elisabeth Fontan and Hélène

The Artist: A successor of Jan van Eyck and Petrus Christus, and a contemporary of Gerard David, Hans Memling was among the most important artists of fifteenth-century Bruges. Although he spent the majority of his career in that thriving city, he was born around 1435–40 in the German town of Klein-Krotzenburg near Seligenstadt, south-east of Frankfurt, Germany
Pierpont Morgan, New York (1907–d. 1913; his estate, 1913–17) New York.

Wixom, William D. „Medieval Sculpture at the Metropolitan: 800 to 1400.“

The Artist: The great history painter and portraitist Jacques Louis David studied with Joseph Marie Vien and then, in 1766, entered the school of the Académie Royale de Peinture et de Sculpture
D. . . . Ah! Ah!

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
€“44); Frederick II (the Great), King of Prussia, Stadtschloss, Potsdam (1744–d.

Lincoln, NE: University of Nebraska–Lincoln, 2017.

This magnificent painting by the leading painter of King Louis XIV (1638–1715)—the artist who supervised the decoration of the Louvre and Versailles and headed the Gobelins manufactory for tapestries and furniture—is a landmark in the history of French portraiture
their four children (from left to right): Everhard the Younger (1656–1721), Hélène