3/16 × 1 5/8 × 1 7/8 in. (13.2 × 4.2 × 4.8 cm) Credit Line: Gift of George D.
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Sen-ne-mut, His Family, and His Associates IV.
Medium: Wood, oil Dimensions: H. 25 3/8 x W. 3 7/8 x D. 4 5/8 in. (64.5 x 9.9 x
The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
Tourguéneff); Édouard Kums, Antwerp (until d. 1891; cat., 1891, no. 130, as "La
The Painting: A man with a mustache and closed eyes is depicted in profile from the waist up, lying in a bed. He wears what appears to be a sort of turban and open white shirt, with the weight of his head and elbows forming a deep lozenge-shaped impression in the ample pillow and bedding
] For the death certificate, see Archives de Paris, Actes de décès, côte V3E/D
"Ein verzierter Frülatène Halsring im Metropolitan Museum of Art New York."
420.4 x 264.2 cm) Classification: Textiles-Tapestries Credit Line: Gift of John D.
1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
Phéniciens de Tyr à Carthage, exh. cat. edited by Elisabeth Fontan and Hélène
Inscription: ‚PIAZZA E PORTICI DELLA BASILICA VATICANA FATTI DA N. S. PAPA / ALESANDRO SETTIMO.‘; ‚1. Basilica di S. Pietro. / 2. Portici fatti da N. Sig. / 3. Palazzo Apostolico‘; ‚4. Obelisco del‘ Circo di Caio, e / Nerone / 5 Palazzo del‘ Sant‘ Officio.‘; ‚Per Gio. Jacomo Rossi in Roma alla Pace co P. del S. P.‘; ‚Gio. Batta Falda di. et. f.
Battista Falda (Italian, Valduggia 1643–1678 Rome) 1691 or after Le Fontane ne
