Dein Suchergebnis zum Thema: D������ne

The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
Naro Chigi Patrizi-Montoro, Palazzo Patrizi, Castel Giuliano, Bracciano (until d.

[by 1937-1938, Paul Godin, Paris]; offered for sale to the Vorderasiatisches Museum, Berlin, in 1937 by Paul Godin, and in 1944 by Brimo de Laroussilhe (personal communication, Mattes Lammert); offered for sale to American museums in 1940s-1950s by Elias David; acquired by the Museum in 1958, purchased from Elias S
Near Eastern Antiquities in Dialogue, edited by Ariane Thomas and Hélène Le Meaux

The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
Cardinal Tommaso Ruffo, Rome (by 1704; d. 1753; inv., 1734); Litterio Ruffo, 2nd

Near Eastern Antiquities in Dialogue, edited by Ariane Thomas and Hélène Le Meaux

Pliny’s retreats slipped into the landscape with terraced gardens and opened outward to natural surroundings through colonnades, or loggias, which replaced solid enclosing walls.
from ‚La Fontane di Roma nelle Piazze e Luoghi Publici (…)‘, part 3, ‚Le Fontane ne

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
D. Passavant.

[By 1918, R.D.
Near Eastern Antiquities in Dialogue, edited by Ariane Thomas and Hélène Le Meaux

Hear from barber Joshua Livingston about the power of community spaces to support connection and well-being, whether when visiting an art museum or getting a haircut.
In the past, you had to have, you know, a certain level of je ne sais quoi to be

The Painting: In a small apsidal chapel, the Virgin Mary tenderly embraces the Christ Child while nursing him. She wears a blue underdress beneath a very pale blue robe and mantle. Her long, curly hair cascades down her shoulders
Charles D. Cuttler. Northern Painting from Pucelle to Bruegel.

Guy Pène du Bois. Edward Hopper. New York, 1931, ill. p. 23. T. C. Linn, Jr.