Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
back of his tired, old nag.[4] Such imagery was undoubtedly inspired by a darkly comic
Security manager Jose Rivero contemplates the different types of hero archetypes, from comic
“I wanted to be that commanding huntress, to live among a fleet of adoring nymphs and hounds and transform any man who crossed me.”
Rubyfruit Jungle (1973) by Rita Mae Brown, and eventually found Alison Bechdel’s comic
This panel of about 1650–51 introduces the most admired qualities of Ter Borch’s mature style (as found, for example, in Curiosity of about 1660–62, The Met 49
The Amusements of Jan Steen: Comic Painting in the Seventeenth Century.
Comissioned by Count Jan and Countess Valeria Tarnowski (1804/6–49) ; by descent, the heirs of Count Jan and Countess Valeria Tarnowski (1849–before 1871; sold to Wawra) ; [ C.J. Wawra , Vienna (until 1871) ] ; Freiherr Carl von Schwarz , Vienna (after 1871) ; descended in the family of Freiherr Carl von Schwarz , Vienna (until 1967; sold through Piero Tozzi, New York to MMA)
Security manager Jose Rivero contemplates the different types of hero archetypes, from comic
View an assortment of images of fashion ensembles presented in the exhibition Camp: Notes on Fashion.
—Jack Babuscio, 1978 Spoken by Deirdre Hawken „Camp is a comic vision of the world
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
1654 Portrait of Gerard de Lairesse Rembrandt (Rembrandt van Rijn) 1665–67 Comic
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
1718–20 On view at The Met Fifth Avenue in Gallery 629 Mezzetin, a stock comic
Beneath a curiously distended double arch of the nave of a church illuminated with bottle glass windows, the Virgin demurely extends her hand, on which a bearded Joseph places a ring rendered in raised, gilded pastiglia—the same technique used for the collar of the officiating priest and for the haloes decorated with pseudo-Kufic lettering
Younger, rejected suitors express their frustration and anger with intentionally comic
Spectral figures of Christ, Saint John the Baptist, and three angels are shown in a nocturnal landscape. John leans forward and, turning back, baptizes Christ, who is also depicted leaning forward, as though shedding his scarlet robe
Security manager Jose Rivero contemplates the different types of hero archetypes, from comic
