Dein Suchergebnis zum Thema: Brüssel

European Tapestry Production and Patronage, 1600–1800 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/european-tapestry-production-and-patronage-1600-1800

Lacking the traditions of commercial production and established markets that supported the continued growth and vitality of the Netherlandish and French industries, manufactories like the Medici, Mortlake, and Barberini workshops were dependent on the fortune of their founding patrons.
Brussels remained the principal center of high-quality production in the Netherlands

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Clockmaker: Hermann Achenbach – Longcase clock – German, Neuwied am Rhein – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/206322

Signature: Signed on dial: Achenbach & Schmidt à NeuwiedMarquetry signed on front of pendulum case: REUSCHInscription: Dials inscribed: PHILADELPHIA, MEXICO, PEKING, HISPAHAN, CAS-BON-SPEI, CAIRO, ROM, LISABON, LONDEN, ST
Michel-Paul-Joseph Dewez, the goldsmith of Duke Charles Alexander of Lorraine, from Brussels

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Vincent van Gogh – Self-Portrait with a Straw Hat (obverse: The Potato Peeler) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436532

Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
Jansen, and A. de Tagle, Brussels, 2013, pp. 142–81.

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Esprit Antoine Gibelin – Louis XVI as the Benefactor of Surgery – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/771456

Inscription: in pen and black ink on column left of center, „A / L’ETERNELLE / MEMOIRE / DE / LOUIS AUGUSTE / LE / BIENFAISANT;“ in pen and black ink on covered vase atop column on the right, „BALZAMON;“ in pen and black ink along lower margin, “ILS ÊTANCHENT LE SANG CONSACRÉ A LA DÉFENSE DE LA PATRIE
Bringing Brutus the Bodies of his Sons Jacques Louis David (French, Paris 1748–1825 Brussels

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Game Piece with a Scene from the Life of Apollonius of Tyre – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/466289

Karl Anton Prinz von Hohenzollern-Sigmaringen(inv. no. 5236); Baron Robert von Hirsch, Frankfurt and Basel (until 1977); his sale, Sotheby’s, London(22 June 1978, lot 267); [ Michael Ward, New York (sold 1996)]
The figures and acanthus border can be related to an ivory reliquary in Brussels

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