Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Brussels: G. van Oest, 1913. p. 4. Maeterlinck, Louis.
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Battista Lodi da Cremona designed ca. 1540, woven ca. 1570 Cravat end Flemish, Brussels
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Brussels: G. van Oest, 1913. p. 4. Maeterlinck, Louis.
?[art dealer, in 1834]; [art dealer, England, in 1910]; [Mautner von Markhof, Vienna]; K. Moser, Vienna; his widow, Mrs. Hauska, Vienna; ?R. Wittig; [Kunstverlag Wolfrum, Vienna, until 1921; sold for $2,000 to Thayer]; Scofield Thayer, Worcester, Mass
Brussels. Royal Museums of Fine Arts of Belgium.
Milan, 1885–Milan 1969
Frua De Angeli promoted several exhibitions of Italian modern art in Amsterdam, Brussels
This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
Signed and dated (lower left): cBerghem [cB in monogram] 1644 [Monsieur Héris, Brussels
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Elder 1565 The Fifteen Mysteries and the Virgin of the Rosary Netherlandish (Brussels
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Border German 19th century Sample French early 19th century Fragment Belgian, Brussels
Already one of Europe’s richest centers of cloth production and an important trade hub, the Netherlands under Burgundian rule attracted and inspired some of the most talented artists of the Renaissance period.
From 1441, the large court was based in Brussels, but since the dukes liked to travel
The Painting: One of the highlights of The Met’s early Netherlandish painting collection is the wide range and depth of its portraiture, featuring notable examples of elderly men by artists such as Hans Memling (wood, painted surface: 49.3 x 31.5 cm (Musées Royaux des Beaux-Arts de Belgique, Brussels
