Dein Suchergebnis zum Thema: Brüssel

The Painting: A man with a mustache and closed eyes is depicted in profile from the waist up, lying in a bed. He wears what appears to be a sort of turban and open white shirt, with the weight of his head and elbows forming a deep lozenge-shaped impression in the ample pillow and bedding
Massacre of the Innocents François Joseph Navez (Belgian, Charleroi 1787–1869 Brussels

This work depicts the triumphal procession of the Roman general Gaius Marius, in his chariot, with the defeated African king Jugurtha, in chains, walking before him, an event that took place in 104 B.C
Brussels, 1910, p. 38 n. 1, notes that he saw the paintings still in place in 1870

Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
Brussels, 1947, pl. 20. Claude Roger-Marx. Ingres. Lausanne, 1949, pl. 46.

Circus Sideshow and Seurat’s Career: Circus Sideshow is one of only six major figure paintings Seurat created during his short but influential career. Born and raised in Paris as the son of a customs official, he pursued classical art training, including at least three years at the École des Beaux-Arts, and spent a year (1879–80) in military service in Brest before establishing himself as a professional artist in France’s capital city
and began displaying his work more widely, including at the Les XX exhibitions in Brussels

Brussels, 1958, p. 176, mentions it among paintings by Degas that show the influence

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
) 1640 A Woodland Road with Travelers Jan Brueghel the Elder (Netherlandish, Brussels

Boilly was born and educated around Lille. He moved to Paris in 1785 and exhibited at the Salon between 1791 and 1824. A painter in the tradition of Dutch seventeenth-century naturalism, for which he prepared by studying trompe l’œil as well as caricature, Boilly was well-known for genre scenes and for small-scale portraits, of which he claimed to have painted 4,500, most in single two-hour sittings
teaux de Versailles et de Trianon), begun in 1808 and taken with him in exile to Brussels

The Robert and Gloria Manney Greek Revival Parlor is a re-creation of what the parlor of a fashionable New York City townhouse of about 1835 might have looked like. The room was designed to showcase a rare suite of seating furniture made for New York lawyer Samuel A. Foot (1790–1878) by the firm of cabinetmaker Duncan Phyfe (1770–1854).
A modern reproduction of a wall-to-wall Brussels (looped pile) carpet was laid on

Art of the First Cities surveys the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history.
Brussels.

In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
Vol. 1, Brussels, 1862, p. 227, mention the Alliata picture among the lost works