Fellows – The Metropolitan Museum of Art https://www.metmuseum.org/departments/the-robert-lehman-collection/fellows
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Brussels, 2021, 66-75.
Dein Suchergebnis zum Thema: Brüssel
Carved Plaque from a Bracelet – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544497
Brussels, cat. no. 177 pp. 290-1, ill. p. 34; entry by Dorothea Arnold.
Adélaïde Labille-Guiard – Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/383862
1803 Paris) 1785 Portrait of Charlotte Duchesne Philippe de Champaigne (French, Brussels
Anthony van Dyck – James Stuart (1612–1655), Duke of Richmond and Lennox – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436252
James Stuart was a loyal supporter of his cousin Charles I and served in high posts at court, such as Gentleman of the Bedchamber and Lord Steward of the Household. He was installed as Knight of the Garter on November 6, 1633, and in 1641 was created Duke of Richmond
Brussels, 1950, pp. 69, 88, 185. Josephine L. Allen and Elizabeth E. Gardner.
Alice Neel – Henry Geldzahler – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/482314
Brussels, 2016, p. 50. Jeremy Lewison in Alice Neel. Painter of Modern Life.
How Medieval and Renaissance Tapestries Were Made – The Metropolitan Museum of Art https://www.metmuseum.org/essays/how-medieval-and-renaissance-tapestries-were-made
In European medieval and Renaissance practice, the design was invariably copied from a full-scale colored pattern, known as the cartoon, a practice that continues to this day.
or Pasquier Grenier ca. 1470–90 The Triumph of Fame Netherlandish, probably Brussels
Jan Gossart (ca. 1478–1532) and His Circle – The Metropolitan Museum of Art https://www.metmuseum.org/essays/jan-gossart-ca-1478-1532-and-his-circle
What is new to Northern art of the time is Gossart’s introduction of mythological themes with nude figures portrayed with heightened eroticism.
twist of her body, in Gossart’s Venus and Cupid (Musées Royaux des Beaux-Arts, Brussels
Mark Tobey – Transit – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/488298
Musée des Beaux-Arts, Brussels.
Half of a Prayer Bead with the Crucifixion – Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/708069
Inscription: (Exterior legend): [image of a flower] ATTENDITE . ET . VIDETE . SI EST . DOLOR . SICVT . DOLOR . MEVS([image of a flower] Look and see if [there] is sorrow like my sorrow [Lamentations 1:12])(Interior legend): O CRUX
Brussels: P. Weissenbruch, 1888. no. 3669, p. 502.
Copy after Robert Campin – Virgin and Child in an Apse – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435838
The Painting: In a small apsidal chapel, the Virgin Mary tenderly embraces the Christ Child while nursing him. She wears a blue underdress beneath a very pale blue robe and mantle. Her long, curly hair cascades down her shoulders
continued interest in the model in the key artistic centers of Bruges, Antwerp, and Brussels