Rome, 1880−Paris, 1918
preface to the catalogue for the 8th salon of the cercle d’art “Les Indépendants” in Brussels
Harvey Menist, Amsterdam, Netherlands, acquired by the 1960s]; [Emile Deletaille, Brussels
Charles Wrightsman, 2012 Object Number: 2012.157 Duc d’Arenberg, Brussels ; [
Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
Brussels: La Renaissance du Livre, 1995. p. 685, ill. Turner, Jane, ed.
Rÿckart comte Cornet de Ways Ruart, Brussels (until d. 1870); William T.
Critical factors in the establishment and success of any such center were proximity to water (which would provide energy as well as transport routes) and the availability of metal either from nearby natural supplies or through trade.
active armorer’s guilds, and there is also documentation of an important workshop in Brussels
Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
Brussels, 52, fig. 53. Yoyotte, Jean 1959.
Palais des Beaux-Arts, Brussels.
Cloisters Collection, 1947 Object Number: 47.101.33 Baron Emmanuel De Decker, Brussels
The cerebral and irrational tenets of Surrealism find their ancestry in the clever and whimsical disregard for tradition fostered by Dadaism a decade earlier.
In 1927, the Belgian artist René Magritte (1898–1967) moved from Brussels to Paris
