Dein Suchergebnis zum Thema: Brüssel

Palais des Beaux-Arts, Brussels.

Étienne-Joseph-Théophile Thoré (Willi Bürger), Paris (until d. 1869); private collection, Paris (until 1870); William T. Blodgett, Paris (from 1870; sold half share to Johnston); William T. Blodgett, Paris, and John Taylor Johnston, New York (1870–71; sold to The Met)
Brussels, 1956, p. 166, as among unsigned works ascribed to Fyt. Colin Eisler.

He was an astoundingly inventive painter and draftsman, and, due to the continuity of the family trade and the industry that developed in prints after his works, Bruegel’s impact was widespread and long lasting.
depictions, such as the Landscape with the Fall of Icarus (Musées Royaux des Beaux-Arts, Brussels

Vincent van Gogh brought his work in Provence to a close with exuberant bouquets of spring flowers—two of irises and two of roses. This exhibition will reunite this group of paintings for the first time since the artist’s death and is timed to coincide with the blooming of the flowers that captured his attention.
from the success his Sunflowers (1888) had enjoyed in back-to-back exhibitions in Brussels

The increasingly erotic character of Rodin’s sculpture in the 1880s can be explained by his preoccupation with two highly charged literary sources. These were Dante’s Inferno and Baudelaire’s The Flowers of Evil.
monumental stone sculptures that included the allegorical groups Africa and Asia for the Brussels

The Artist: Hugo van der Goes (ca. 1440–1482), born in Ghent, was one of the leading Flemish artists of the second half of the fifteenth century. Initially, Hugo followed in the grand tradition of the illusionism of Jan van Eyck’s paintings, with a palette of richly saturated colors and a clear organization of space that depended on single vanishing-point perspective
(Musées Royaux des Beaux-Arts de Belgique, Brussels). Photo: KIK/IRPA Fig. 3.

St. Petersburg, 1872–Paris, 1950
and Sert spent most of her childhood with her maternal grandmother in Halle, near Brussels

Exh. cat.Brussels, 1946. André Chastel. Vuillard, peintures, 1890-1930 .

The movement Luther initiated spread and grew in popularity—especially in Northern Europe, though reaction to the protests against the church varied from country to country.
ca. 1525–28 The Fifteen Mysteries and the Virgin of the Rosary Netherlandish (Brussels

Inscription: Upper right, in pen and brown ink: 2Lower right, in pen and brown ink: illegible figuresBottom center, in graphite: 18Verso, upper left, in graphite: 1980.515Verso, upper right, in graphite: 100
Brussels, 1962, cat. no. 41, fig. no. 54,55, pp. 110-111, ill.