de Saint-Aubin: Peintre, dessinateur et graveur (1724-1780). 2 vols., Paris and Brussels
Inscription: Inscribed lower right: Petro Pauwlo RubbensOn back of mount: J C Robinson / July 18 1983 from Ld. Aylesford coll. (see Lugt suppl. 2141b)Lower center of mount in ink: 133Marking: Lower right collector’s mark of Sir John Charles Robinson (Lugt 1433)On mount collector’s stamp of Earl of Aylesford (Lugt 58)
Brussels. BOZAR, Centre for Fine Arts.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The weaving, on the other hand, she narrows to Brussels on the basis of its technical
Though the Burgundian court was the single most important artistic patron during the period, private citizens were no less interested in using art to express their spiritual concerns and personal ambitions.
Talented artists flocked to Bruges, Brussels, Ghent, and Leuven—centers where the
Tulle, France, 1879–Antibes, France, 1973
the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Brussels
Brussels: Snoeck-Ducaju & Zoon, 2002.
Inscription: Inscribed in image bottom center left: „Lucas Vorsterman sculp. et excud. Ao. 1621.“; five lines in Latin in lower margin bottom center: „Pietate Reverendo, Virtute spectabili, Eruditione Clarissimo
Saint Lawrence, which at the time was hanging in the Notre-Dame de la Chapelle in Brussels
Palais des Beaux-Arts, Brussels.
Étienne-Joseph-Théophile Thoré (Willi Bürger), Paris (until d. 1869); private collection, Paris (until 1870); William T. Blodgett, Paris (from 1870; sold half share to Johnston); William T. Blodgett, Paris, and John Taylor Johnston, New York (1870–71; sold to The Met)
Brussels, 1956, p. 166, as among unsigned works ascribed to Fyt. Colin Eisler.
Étienne-Joseph-Théophile Thoré (Willi Bürger), Paris (until d. 1869); private collection, Paris (until 1870); William T. Blodgett, Paris (from 1870; sold half share to Johnston); William T. Blodgett, Paris, and John Taylor Johnston, New York (1870–71; sold to The Met)
Brussels, 1956, p. 166, as among unsigned works ascribed to Fyt. Walter A.
