Dein Suchergebnis zum Thema: Brüssel

New York: Jack Brussel, Pub., 1961. p. 338, fig. 423.

1828 Paris) 1790 Portrait of Charlotte Duchesne Philippe de Champaigne (French, Brussels

This composition, in which half-length figures of the three magi are viewed behind a fictive arcade, offering their gifts to the Christ Child—an event celebrated in the Church as the Feast of Epiphany (January 6)—conforms to the rising popularity in the Netherlands for close-up devotional paintings that put the viewer in a direct relationship with the event depicted
Ainsworth 2014 comte Martin Cornet de Ways Ruart, Brussels (until d. 1870); [Étienne

[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Brussels. Palais des Beaux-Arts.

Largely self-taught, Van Gogh believed that drawing was “the root of everything.”
He moved from Brussels to his parents’ house in Etten and applied himself wholeheartedly

Cornet-trompe in D Maker: Attributed to Alphonse (Antoine) Sax (Belgian, active France, Brussels

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States.
Schongauer ca. 1480–90 Emperor Vespasian Cured by Veronica’s Veil Flemish, Brussels

the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
[Brussels], n.d., p. 94, ill. p. 103 (color). J.-B. de La Faille.

The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Minerbetti); church of San Pancrazio, Florence (1442–at least 1568); Léon de Somzée, Brussels

The Portrait: The identities of the painter and sitter have long been debated, and while the painter remains uncertain, the noblewoman is now generally considered to be Isabella of Portugal (1397–1472), third wife of Philip the Good, Duke of Burgundy
Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels