Meintest du beeren?
Inspired by the demand for a recognizable product, or “manner,” Antwerp painters developed a repertoire of stock figural motifs, compositions, and themes.
Fantastic Landscape (verso) Jan Wellens de Cock ca. 1520 The Lamentation Jan de Beer
On October 21, 1953, Joseph Cornell (American, 1903–1972) visited an exhibition of modern art at the Sidney Janis Gallery in New York and was enthralled by one work, The Man at the Café (1914), by the Cubist artist Juan Gris An Cornell’s The This The Juan The Cornell’s Homage Joseph In Untitled Joseph Cornell’s Josette; Joseph This Le Joseph This
cockatoo that inhabits these boxes even „parrots“ the brimming foam of the man’s beer
Newly interpreted galleries span three floors, linking the Wing’s holdings from the 17th to 20th century and highlighting relevant, meaningful stories.
Julie Hart Beers, Ducks in the Woods, 1875 4031.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
on a Table Juan Gris 1914 Guitar and Glasses Juan Gris 1914 The Glass of Beer
From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
Beer, Manuela, and Moritz Woelk, ed. The Magi: Legend, Art and Cult.
liquid to be poured on the ground or ingested, perhaps maize- or red peppercorn- beer
The wrapping with linen changed forever the shape of the human body and created a new being of divine character that was believed to be able to live forever.
believed to need food and drink in the afterlife, offerings of liquids such as water, beer
The Met’s Timeline of Art History pairs essays and works of art with chronologies and tells the story of art and global culture through the collection.
Baumeister, Rachel Bean, Kay Bearman, Serena Totman Bechtel, Rachel Becker, Chad Beer
The Met’s Timeline of Art History pairs essays and works of art with chronologies and tells the story of art and global culture through the collection.
Photograph by Chad Beer Filippino Lippi: The Annunciatio, 1488–93.
Footed BowlAlong with gilded examples, the most treasured glass objects in the Islamic world were the enameled ones, which developed during the thirteenth and fourteenth centuries in Syria and Egypt under the Ayyubids and Mamluks
golden decoration lead the viewer to imagine it full of sweet wine or fuqqa‘ (beer
