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Line and Curve by Georgia O’Keeffe

https://www.nga.gov/artworks/70182-line-and-curve

Executed in 1927, Line and Curve is the last in a group of four highly abstract, predominantly white, narrow vertical compositions whose imagery can be traced in part to Georgia O’Keeffe’s interest in Manhattan’s modern architecture. As its title indicates, Line and Curve consists of a simple juxtaposition of a vertical line running down the center of the canvas intersected by a sweeping curve that extends through the upper right quadrant of the composition.
Norfolk, 2015-2016, no catalogue. 2016 Georgia O’Keeffe, Tate Modern, London; Bank

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Sky with Flat White Cloud by Georgia O’Keeffe

https://www.nga.gov/artworks/70184-sky-flat-white-cloud

Painted late in her career when she was experimenting with unconventional viewpoints, Sky with Flat White Cloud is the second in a series of seven paintings in which Georgia O’Keeffe took inspiration from flying in an airplane high above the earth’s surface, observing the surrounding atmosphere and cloud formations. Excited by the experience of air travel, she remarked, “I’ve often thought how wonderful it would be to simply stand out in space and have nothing!� In this painting and two others in the group, she divided the vista into three horizontal bands;
Norfolk, 2015-2016, no catalogue. 2016 Georgia O’Keeffe, Tate Modern, London; Bank

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La condition humaine by René Magritte

https://www.nga.gov/artworks/70170-la-condition-humaine

Two of Magritte’s favored themes were the „window painting“ and the „painting within a painting.“ The Human Condition is one of Magritte’s earliest treatments of either subject, and in it he combines the two, making what may be his most subtle and profound statement of their shared meaning. The Human Condition displays an easel placed inside a room and in front of a window.
Exhibition History 1992 Magritte, The Hayward Gallery, The South Bank Centre,

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Ice Scene near a Wooden Observation Tower by Jan van Goyen

https://www.nga.gov/artworks/165221-ice-scene-near-wooden-observation-tower

Jan van Goyen was one of the great proponents of the innovative “tonal� style of Dutch landscape painting that celebrated local scenes and subjects in hues of brown, gray, and ochre. The tonal landscapes of the 1630s and 1640s ushered in the golden age of Dutch landscape painting, and Van Goyen’s body of work spans the beginnings of this style through its transition into more colorful and atmospheric depictions.
The cloud bank is horizontally streaked with pale yellow light along the bottom,

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Dahlias, Garden at Petit Gennevilliers by Gustave Caillebotte

https://www.nga.gov/artworks/110067-dahlias-garden-petit-gennevilliers

A leader of the impressionist movement — a central exhibitor and organizing force for several of their exhibitions between 1876 and 1882 — Gustave Caillebotte was also an avid gardener. Like his close friend Claude Monet, with whom he shared gardening expertise and exchanged tips, he created lush, vibrantly colored landscapes and translated them into paint on canvas.
Recenter Visual Description A woman stands on a sun-dappled path, which runs past a bank

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