Information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I , pages 376-382, which is available as a free PDF at https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-19th-century-part-1.pdf
Partners in Banking: An Historical Portrait of a Great Private Bank, Brown Brothers
A woman holding a baby, Mary and Jesus, and two bearded men sit in a cloud bank in
Executed in 1927, Line and Curve is the last in a group of four highly abstract, predominantly white, narrow vertical compositions whose imagery can be traced in part to Georgia O’Keeffe’s interest in Manhattan’s modern architecture. As its title indicates, Line and Curve consists of a simple juxtaposition of a vertical line running down the center of the canvas intersected by a sweeping curve that extends through the upper right quadrant of the composition.
Norfolk, 2015-2016, no catalogue. 2016 Georgia O’Keeffe, Tate Modern, London; Bank
At the curve, a short distance from us, a bank of emerald-green vegetation and a
Thomas Moran saw the wondrous landscape that the world would come to know as Yellowstone National Park for the first time in the summer of 1871. He had journeyed west to join F.
Controls Zoom In Zoom Out Recenter Visual Description We look across a bank
Recenter Visual Description Between us and a river lined with buildings on the far bank
A leader of the impressionist movement — a central exhibitor and organizing force for several of their exhibitions between 1876 and 1882 — Gustave Caillebotte was also an avid gardener. Like his close friend Claude Monet, with whom he shared gardening expertise and exchanged tips, he created lush, vibrantly colored landscapes and translated them into paint on canvas.
Recenter Visual Description A woman stands on a sun-dappled path, which runs past a bank
Frankfurt, 2017-2018, no. 32, repro. 2018 Fascination Japan: Monet, Van Gogh, Klimt, Bank
A bank of cream-white and some pale gray clouds fill most of the sky, breaking to
Born in Okayama, Japan, Yasuo Kuniyoshi had no intention of becoming an artist when he emigrated alone to the United States at age 16. Encouraged by a high school teacher in Los Angeles, he attended that city’s School of Art and Design for three years.
Prohibited from owning a camera or binoculars, the artist also had his bank account
