The furniture, paintings, and ceramics in this pre-Revolutionary room, on view at The Met, all belonged to Samuel Verplanck (1739–1820), a member of an influential New York City family, and his Dutch-born wife, Judith Crommelin Verplanck (d. 1803).
Right: Facade of the Branch Bank of the United States, installed as the entrance
Through an outstanding group of portraits, this major loan exhibition will introduce visitors to the various new and complex ways artists portrayed the elite of Medicean Florence, representing the sitters‘ political and cultural ambitions and conveying the changing sense of what it meant to be a Florentine at this defining moment in the city’s history.
—Forbes Lead corporate sponsorship is provided by Bank of America.
Amsterdam, 1868–Laren, The Netherlands, 1954
During his stays in Paris he not only visited the established galleries on the Right Bank
Paris, 1897–Paris, 1964
on October 17, 1924, he opened Galerie Pierre at 13, rue Bonaparte, on the Left Bank
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Marcantonio Raimondi ca. 1517–20 Raphael’s dream, at left two women sleeping on the bank
This major exhibition will offer an immersive and thought-provoking journey through the history of one of America’s preeminent cultural institutions.
Lead corporate sponsorship is provided by Bank of America.
Odessa, Ukraine, 1900–New York, 1970
Straus & Company investment bank.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
the ancient Romans, the Vaticanum was a swampy and ill-defined region along the bank
Over 5,000 years of art from around the world.
Self-Portrait Rembrandt (Rembrandt van Rijn) 1660 Facade of the Second Branch Bank
Signature: [in black chalk at lower right]: JvR [interlaced].Inscription: [on verso at lower left in pencil]: J.d.V. / SR xoo.Marking: verso lower left collectors‘ mark of A
1628/29–1682 Amsterdam) mid-17th century A Forest Marsh with Travelers on a Bank
