Artist Talk: Alyssa Baguss –– Minneapolis Institute of Art https://new.artsmia.org/event/artist-talk-alyssa-baguss
Bank Gallery. For more information about MAEP, click here.
Bank Gallery. For more information about MAEP, click here.
Bank Gallery. For more information about MAEP, click here.
November 19, 2013 – March 1, 2014 | Gallery 370 | Free Exhibition Of Max Beckmann’s nine triptychs, Blind Man’s Buff is the largest and arguably the most important. The work was painted during Beckmann’s exile in Amsterdam between September 1944 and October 1945, under difficult wartime circumstances
The triptych’s conservation treatment has been generously funded by Bank of America
September 23, 2017 – February 18, 2018 | Perlman Gallery, Gallery 368 | Free Exhibition This exhibition features works created during the 1920s and 1930s from the collections of Mia and Al and Ingrid Lenz Harrison. These artworks are contemporaneous to August Sander’s People of the Twentieth Century portraits, shown in „New Pictures: Omer Fast, Appendix.“ Primarily showcasing images drawn from Mia’s photographic collection, the exhibition also includes prints, drawings, sculptures, and a painting created by artists in Germany during the Weimar Republic
1928 Gelatin silver print (printed 1984) The Modernism Collection, gift of Norwest Bank
November 19, 2013 – March 1, 2014 | Gallery 370 | Free Exhibition Of Max Beckmann’s nine triptychs, Blind Man’s Buff is the largest and arguably the most important. The work was painted during Beckmann’s exile in Amsterdam between September 1944 and October 1945, under difficult wartime circumstances
The triptych’s conservation treatment has been generously funded by Bank of America
the exhibition „Roshan Ganu: रातराणी: The Night Blooming Jasmine“ installed in US Bank
The triptych’s conservation treatment has been generously funded by Bank of America
The triptych’s conservation treatment has been generously funded by Bank of America
July 14, 2018 – July 28, 2024 | Wells Fargo Center, Downtown Minneapolis | Free Engineered for Domestic Bliss is the theme of an installation of objects from Mia’s modernism collection that focuses on appliances made for the home in the decades before and after World War II. Radios penetrated the majority of homes in the 1930s; by 1960 television ownership had grown to 90%
The Modernism Collection, gift of Norwest Bank Minnesota, 98.276.281 One could argue
Bank Gallery (G257) at Minneapolis Institute of Art.